Mrtennis, you are welcome. In answer to your question: Yes, I believe that
all music evokes an emotional response; anything that can fairly be called
music. It may not be a positive or pleasant response, but a response
nonetheless. Earlier you wrote that there is music of the brain, cerebral in
nature, and that does not necessarily evoke an emotional response. You
cited TWC as an example. Later you write:
***people are different in their reactions to music. i find the well tempered
clavier very helpful when solving mathematical problems.***
What is it then that causes this "help", if not an emotional
response?
BTW, a common discussion among musicians and musicologists is the
notion (by now, fairly well debunked) that Bach's music, particularly
TWC, is to be performed in a cold, mechanical (mathematical) fashion.
Not so. Additionally, it is also an accepted idea that in Bach's time a
tempo marking was an indication of the intended emotional character of
the music ("Allegro").
all music evokes an emotional response; anything that can fairly be called
music. It may not be a positive or pleasant response, but a response
nonetheless. Earlier you wrote that there is music of the brain, cerebral in
nature, and that does not necessarily evoke an emotional response. You
cited TWC as an example. Later you write:
***people are different in their reactions to music. i find the well tempered
clavier very helpful when solving mathematical problems.***
What is it then that causes this "help", if not an emotional
response?
BTW, a common discussion among musicians and musicologists is the
notion (by now, fairly well debunked) that Bach's music, particularly
TWC, is to be performed in a cold, mechanical (mathematical) fashion.
Not so. Additionally, it is also an accepted idea that in Bach's time a
tempo marking was an indication of the intended emotional character of
the music ("Allegro").