What does it take to qualify as a reviewer?


Posted in this thread earlier;
http://forum.audiogon.com/cgi-bin/fr.pl?fcabl&1313300093&read
some participants said they are reviewers.

One said;

"I myself was once asked if I would be interested in reviewing for one of the publications mentioned above, by its editor. I wasn't, but also declined because I didn't feel that I was qualified: not as an audiophile, nor technically, nor as a writer."

Another said:

"let us consider what might "qualify" someone as a reviewer. Would it be an EE degree, years of experience in audio, experience as a dealer in audio, knowing many manufacturers, being wealthy enough to not be bought to give a good review to get the component at a good price, being articulate, hearing well in tests, etc.?"

And he goes on to make some other interesting remarks in the same post, in my opinion anyway.

Out of respect to the OP and not to further divert the thread from its' original theme, I began this thread.

So, what qualifications, experience, education, characteristics etc., do you believe one should possess and needs to be a reviewer?

It would be interesting to hear from everyone for I myself haven't really thought about it and can't offer an answer. Perhaps others ideas could help us form an opinion.

Best,

Dave
corazon
to add to Foster's list

to attend live concerts on a regular basis would help

IMO of course...
I think Rbstehno got it with "need to be able to always give a good review at the end no matter if you find flaws in it." I mean, how many times have we finished a review with a few mentioned "limitations" of the component only to end at the last paragraph with some unequivocal recommendation that this is a "great deal," or an "I could live with it in my system," blah blah...? It seems disingenuous on the part of the reviewer. But afterall, reviews should be read for entertainment value. In the end the only, and often impracticle way to assess, is via up close and personal listening...in your own system.
you must be able to write good fiction. i.e. describe differences in equipment that do not exist. you must never violate the most important rules, if it cost more, it's better. and if the item gives great value for the money i.e. POLK, EMOTIVA, HARMAN KARDON etc.... it must be totally destoryed, or at best ignored. Hell, in this day and age with spell checkers and all, anyone without conscience can do the job.
>>09-06-11: Tpreaves
Most car salesmen have the skills to be audio reviewers !!!!!<<

That's an insult to car salesmen everywhere.