Do you believe in Magic?


Audio Magic, that is.

Let's say that Magic is any effect not explainable by known physical laws. Every audiophile is familiar with debates about Audio Magic, as evidenced by endless threads about power cables.

I recently had an experience that made me question my long held skepticism about Magic. On a whim, I bought some Stillpoints ERS Fabric. I installed it in my preamp (which is filled with noisy digital circuitry) and a reclocker (also noisy) and...

Something happened. I don't know what exactly, but something. Two things in particular seemed to change... the decay of notes, and instrument timbres. Both changed for the better. But where did this change occur? In my listening room? Or in my mind?

If the change was in my listening room, then Magic exists. If the change was in my mind, then Magic does not exist.

One of the great Ideological Divides in audio is the divide between Believers and Skeptics. I honestly don't know if I'm a Believer or a Skeptic.

Do you believe in Magic?

Bryon
bryoncunningham
You're welcome, Bryon! Glad I was helpful.
Among the stranger things commonly reported about ERS fabric is that using too much of it tends to diminish high frequencies, as Chad described in this thread. That is puzzling to me. Could it be that using too much ERS fabric somehow affects certain circuits in the way that high capacitance interconnects can act as a low pass filter?
I suppose it's conceivable that the presence of the material could affect the amount of stray capacitance that exists between various circuit points. But I would expect the sonic effects of that, if any, to be highly inconsistent among different components, and among different positionings of the material.

A much more likely explanation, I would think, is that low level broadband noise (i.e., hiss) in the upper treble region is being reduced, and that is being subjectively perceived as a diminution of the highs.

I've seen it stated in a number of articles that I've read in the past that low level high frequency hiss tends to be subjectively perceived as "air" and ambience. Which would seem to make sense.

That reduction in high frequency low level noise could conceivably occur either in digital circuitry, via effects on the amplitude or spectral characteristics of jitter, or in analog circuitry, via effects on the amount of noise that is directly coupled into the signal path.

That's my speculation, anyway.

Best,

-- Al
I used a liberal amount of ERS fabric, and I didn't notice a diminishment of high frequencies. That could be because of where I placed it, or if your hypothesis is correct, it could be because it merely removed some high frequency hiss.

I agree with your observation that some audiophiles perceive high frequency hiss as "air" or ambience. Personally, I tend to perceive it as noise.

In fact, with the ERS fabric installed, I can say that there is simultaneously LESS hiss and MORE ambience.

bc
Bryon and Al, just saw this thread. Fascinating and informative. You two, along with Atmasphere, have taught me more on this site than anyone. I always look forward to your observations and comments.
Thank you for those kind words, Learsfool. I very much enjoy your contributions as well. Having the point of view of a highly experienced musician is always informative. In addition to which, you are a true gentleman.
I second Bryon's response to your kind comments, Learsfool. And I've learned a great deal from your posts as well.

Best regards,
-- Al