digital vs vinyl thoughts


i suspect i have been comparing apples and oranges. i just bought a project debut 111 with a shure m97x and after a month have been less than overwhelmed. when i go back to my emotiva cd/musical fidelity v-dac the performance just blows the table away. i have checked everything several times. i have concluded that due to using power cords and ics[all morrow audio] on my set up that each equals the price of the table i was expecting too much from an entry level table. the vinyl reproduction is not distorted, seems to be tracking ok, is set up with good isolation, and after a month of use...broke in. but the fact that the project has a hard wired ac cord and less than stellar phono wires and a inexpensive cartridge must be the reason. the rest of the system is emotiva usp-1 pre and xpa-2 power with mmgs. any ideas? thanks john
hotmailjbc
Thanks Almarg for the response. But you nailed it in your response. "Digital is an approximation" of the analog signal. There will be losses. Up the sampling and scan playback rates significantly, and that minimizes the losses. I just know that when I listen to an analog recoding, (recorded analog to master tape) of Miles Davis' Kind of Blue and listen to the digital recording side by side, very audible differences. And It is always a shock to me when I find music that I really love and enjoy in digital format, get use to it and then find that same music in analog format and play it and most times I hear audible differences. Again, please don't attack me. I really enjoyed the digital music also. My problem is that I refuse to accept music that doesn't sound "real". This is true for both analog or digital. I know what a real violin, cello, bass, drums, cymbals, etc. sound like and so when I hear it reproduced incorrectly, it drives me out of the room. Music that has been mastered over and over, compressed and then uncompressed, etc. loses some of the detail. The more electronics the original signal passes through before the final recording the more losses and distortions it will suffer. I'm not a big fan of electronic music, but sometimes I hear something that blows me away. But electronic music really has a detailed clear loss of dimension to me. Music that is properly miked and recorded, well, wonderful. I've worked in some sound recording rooms and let me tell you I have seen the most expensive best recording and mastering equipment being used, including the best cables, and I have also seen really crappy recording, mikes, cables, mixing boards being used also. I believe that how the music was miked and recorded and mixed is the most important aspect to the music's quality. Digital vs vinyl takes a back seat to that. Because if it isn't recorded correctly in the first place, well, nothing you do on the back end will make up for it.

no really, enjoy
Minorl, agreed on all counts.

Learsfool, and others who are interested in classical music, when and if the opportunity arises I would recommend that you find and purchase the following out-of-print CD's. They just may cause you to modify, at least a little bit, your feelings about how good the medium can sound. In fact, you just might be amazed:

Chesky CD31, Dvorak's "New World Symphony" + Wagner's "Flying Dutchman Overture" and "Siegfried Idyll," Jascha Horenstein conducting the Royal Philharmonic (recorded in 1962!)

Wilson Audio WCD-9129, Chopin's "Sonata No. 3" and other Chopin works, performed by Hyperion Knight.

The Chesky is available in both unused and used form from various sellers at Amazon, at high prices. The Wilson is very hard to find.

Interestingly, both recordings were transferred to CD from analog masters (obviously in the case of the Chesky, given the recording date; the Wilson was recorded in 1991).

Best regards,
-- Al
"Digital is an approximation" of the analog signal"

So is a record. Different means to the same end.
Good point Mapman. With my system it's about 50/50 as to which music I prefer on a format. Both are good but in different ways, there's no contraversy in my room.