What is a high end stereo SUPPOSED to sound like?


I've been thinking about this for a while....like 10+ years. Would be interested in what others have to say.
My latest answer would have to be "nothing". I want to hear the music and not the stereo. Like "Come over and listen to some music" versus "Come over and listen to my new stereo". If there are errors, they would be errors of omission, not commission because I assume they are less noticeable.
cdc
What is poetry? The most effective definition I've ever heard is that poetry is whatever people who are knowledgeable about poetry say it is. In effect it's a various of P. Stewart's definition of hard core porn. High end sound is whatever people who know about high end sound says it is.

An example: a Rega turntable w/ cartridge, NAD 20w integrated and Snell K speakers would be recognized as a high end system. A full out MBL system is also recognized as a high end system. The systems don't sound alike.

From the above I conclude that high end audio doesn't have a sound. Instead it's an approach to music reproduction that has very diverse sound characteristics.
Like the most beautiful woman in the world sitting in front of you and asking you if you would like to make love to her.
Thanks for the responses. Drubin, I would say it SHOULD sound like live if the RECORDING sounds like live. Like Minor1 and Marakanetz said, you have to compare to another high-end or live to really know if it's the recording or the stereo that is off.
If you only listen to a certain type of music, like female vocals, maybe you would tune it to a particular sound. But if you listen to a wide variety of music, that strategy could make some recordings worse while others would be better.
I agree that the room is a HUGE factor. I spend a lot of time listening to a boom box at work and it does have 1 redeeming quality - minimal room interaction. But IMHO, the Holy Grail would be 100% CORRECT room interaction.
So would an anechoic chamber which has NO room effects be the best room interaction?
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