I put back in the Mundorf caps in the midrange. What is noticable is the less noise. I remember reading McIntosh quoting higher signal to noise ratio out of there amps using poly caps. This is easy to understand the only thing that would concern me is yes the S/N ratio is higher but what happens to the signal? Is it kind of a CD thing where the noise is lowered but the signal is compromised and the "number" looks better on paper.
I do appreciate the lower Mundorf noise floor. (much lower than vintage) It does improve bass as it reduces noise. PWK had once said there is noise even in a hall to record. I often wonder if that is some of the fake sound to poly caps are they just too quiet? (but Duelund does not sound fake and is very very quiet) Is the sound of poly's unaturally quiet? The friend who liked the all vintage foil caps crossover at first likely thought the reverb sounded like what his mind was expecting things to sound. When you hear a band live it is always a noise filled affair with tons of reverb.
So I guess in a way caps would suit the type of music you listen to and what you want for sound. That is why there is vintage only guys and I suppose they like a "real" sound and lots of reverb.
If one mostly listened to classical you for sure would not want lots of rock concert reverb.
What started this thread was the speakers I always loved I was not liking anymore. Was it me? (getting into my 40's) and not wanting to hear a rock concert all the time. Listening to different music with a different desire. Or were the caps worn out? The tweeter caps for sure produced massive noise!
When the thread first started I prefered the Linn (non horn) sound. The soundstage was bigger and set back farther and was not coming at you like horn speakers.
Now with the tweeter caps and vintage tube the favorite went back to the horns. The Linn's sound very harsh and have almost no upside.
I have now put in an all Mundorf crossover. I will also put in a analog front end with SS later.
I do appreciate the lower Mundorf noise floor. (much lower than vintage) It does improve bass as it reduces noise. PWK had once said there is noise even in a hall to record. I often wonder if that is some of the fake sound to poly caps are they just too quiet? (but Duelund does not sound fake and is very very quiet) Is the sound of poly's unaturally quiet? The friend who liked the all vintage foil caps crossover at first likely thought the reverb sounded like what his mind was expecting things to sound. When you hear a band live it is always a noise filled affair with tons of reverb.
So I guess in a way caps would suit the type of music you listen to and what you want for sound. That is why there is vintage only guys and I suppose they like a "real" sound and lots of reverb.
If one mostly listened to classical you for sure would not want lots of rock concert reverb.
What started this thread was the speakers I always loved I was not liking anymore. Was it me? (getting into my 40's) and not wanting to hear a rock concert all the time. Listening to different music with a different desire. Or were the caps worn out? The tweeter caps for sure produced massive noise!
When the thread first started I prefered the Linn (non horn) sound. The soundstage was bigger and set back farther and was not coming at you like horn speakers.
Now with the tweeter caps and vintage tube the favorite went back to the horns. The Linn's sound very harsh and have almost no upside.
I have now put in an all Mundorf crossover. I will also put in a analog front end with SS later.