Orpheus10,
You asked, "How do you do that?" regarding hearing holographic sound outside the sweet spot. This seems to be a function of the amazing imaging that my system has. Once the voices and instruments have their own positions on the sound stage and the ambience of the venue is created by the system, the sound does not fundamentally change outside the sweet spot.
It is like attending a concert. There is no sweet spot in a concert hall. The music is rendered holographically in three dimensions so that when you are seated in a different position in the hall the sound just takes on a slightly different aspect but does not cease to be holographically three dimensional.
Of course, in my system, this also depends on the recording. It does not apply to old Beatles albums. The better the recording, the better this effect will be rendered. On better recordings the sound is stunning. As to "how" I do that, it is the daisy-chained front and and the series cabling that is producing the effect.
You asked, "How do you do that?" regarding hearing holographic sound outside the sweet spot. This seems to be a function of the amazing imaging that my system has. Once the voices and instruments have their own positions on the sound stage and the ambience of the venue is created by the system, the sound does not fundamentally change outside the sweet spot.
It is like attending a concert. There is no sweet spot in a concert hall. The music is rendered holographically in three dimensions so that when you are seated in a different position in the hall the sound just takes on a slightly different aspect but does not cease to be holographically three dimensional.
Of course, in my system, this also depends on the recording. It does not apply to old Beatles albums. The better the recording, the better this effect will be rendered. On better recordings the sound is stunning. As to "how" I do that, it is the daisy-chained front and and the series cabling that is producing the effect.