Give the DMC30 a shot. I think it's better than the DMC20. DMC20 allows you to have an internal phono input.
DMA100 is bettered by the DMA150, which has been superceded by the DMA150 series II (one half of the DMC360 monoblocks).
MIT cables are the only way to go with Spectral. A LOT of people crap all over these cables because of the networks, but they can't seem to realize that it's necessary since the output of the amps go from DC to 2GHz. They also fail to realize some of the junk that's INSIDE their individual components (thin wires, etc.) that they would never place as separate components in their rigs. It's all one system, from AC power to the speakers.
It's about the end result. Spectral with MIT is awesome. No fatigue whatsoever. All of the Reference Recordings LPs and CDs that people just drool over are recorded and mastered with just this setup.
Spectral, IMHO, is some of the finest, if not finest, SS gear available.
Can't go wrong with Spectral. Trust your ears.
Tom
P.S. currently listening to the DMC30SL,DMA150MkII, SME10, Amati's and loving it!
DMA100 is bettered by the DMA150, which has been superceded by the DMA150 series II (one half of the DMC360 monoblocks).
MIT cables are the only way to go with Spectral. A LOT of people crap all over these cables because of the networks, but they can't seem to realize that it's necessary since the output of the amps go from DC to 2GHz. They also fail to realize some of the junk that's INSIDE their individual components (thin wires, etc.) that they would never place as separate components in their rigs. It's all one system, from AC power to the speakers.
It's about the end result. Spectral with MIT is awesome. No fatigue whatsoever. All of the Reference Recordings LPs and CDs that people just drool over are recorded and mastered with just this setup.
Spectral, IMHO, is some of the finest, if not finest, SS gear available.
Can't go wrong with Spectral. Trust your ears.
Tom
P.S. currently listening to the DMC30SL,DMA150MkII, SME10, Amati's and loving it!