Welcome to the world of the glass bottles Ndmaitre. I have a all tube rig presently and thought about going back to solid state. Alas I don't think so. I will however be changing my digital gear. My dac is a little behind and will be upgrading in the solid state mode. The rest stays tube and I hope your C-J purchase brings you a lot of musical days and nights.
Help needed.
OK - I was originally going to purchase a C.J. Premier 18 Pre-Amp based on the suggestions of a local high end audio dealer. This Sunday - I brought back my test disks to listen and my purchase decision had changed drastically.
The Premier 18 sounded fabulous on the mids - warm and sweet. However, the highs were a little bright for my taste - almost harsh of Reference Recordings "Pomp and Pipes" The bass also seemed lacking quite a bit on Reference Recordings "Tutti" disk - Stravinski Fire Bird.
Next we moved on to a Krell KRC-3 - while the Bass was more present, it still didn't feel right. The highs were strident and ringy - especially on "Pomp and Pipes" and Wynton Marsalis - "Music for Baroque Trumpet" (a 24 bit recording).
However...we then hooked up a C.J. PV-14L and the magic started happening. The mids were warm and sweet - just the way I like them. But now the bass (esp. the Bass Drum slams in the Fire Bird) - felt penetrating (how the Tube CJ did this better than the Krell I don't know). The highs were also very nice - in fact this pre made me want to listen to more and more.
So my questions - what have you all heard about the CJ PV-14L? Am I making a mistake? Should I listen to other pre's before making the plunge into tubes? What should I know about tubes before making the plunge - as I have no 'tube' experience at all.
Any help from the group will be appreciated!
Erik
The Premier 18 sounded fabulous on the mids - warm and sweet. However, the highs were a little bright for my taste - almost harsh of Reference Recordings "Pomp and Pipes" The bass also seemed lacking quite a bit on Reference Recordings "Tutti" disk - Stravinski Fire Bird.
Next we moved on to a Krell KRC-3 - while the Bass was more present, it still didn't feel right. The highs were strident and ringy - especially on "Pomp and Pipes" and Wynton Marsalis - "Music for Baroque Trumpet" (a 24 bit recording).
However...we then hooked up a C.J. PV-14L and the magic started happening. The mids were warm and sweet - just the way I like them. But now the bass (esp. the Bass Drum slams in the Fire Bird) - felt penetrating (how the Tube CJ did this better than the Krell I don't know). The highs were also very nice - in fact this pre made me want to listen to more and more.
So my questions - what have you all heard about the CJ PV-14L? Am I making a mistake? Should I listen to other pre's before making the plunge into tubes? What should I know about tubes before making the plunge - as I have no 'tube' experience at all.
Any help from the group will be appreciated!
Erik
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- 14 posts total
- 14 posts total