Capacitor log Mundorf Silver in Oil


I wished I could find a log with information on caps. I have found many saying tremendous improvement etc. but not a detailed account of what the changes have been. I have had the same speakers for many years so am very familiar with them. (25+ years) The speakers are a set of Klipsch Lascala's. They have Alnico magnets in the mids and ceramic woofers and tweeters. The front end is Linn LP12 and Linn pre amp and amp. The speaker wire is 12 gauge and new wire.

I LOVE these speakers around 1 year ago they started to sound like garbage. As many have said they are VERY sensitive to the components before them. They are also showing what I think is the effect of worn out caps.

There are many out here on these boards I know of that are using the Klipsch (heritage) with cheaper Japanese electronics because the speakers are cheap! (for what they can do) One thing I would recommend is give these speakers the best quality musical sources you can afford. There is a LOT to get out of these speakers. My other speakers are Linn speakers at around 4k new with Linn tri-wire (I think about 1k for that) and the Klipsch DESTROY them in my mind. If you like "live feel" there is nothing like them. In fact it shocks me how little speakers have improved in 30 years (or 60 years in the Khorns instance)

In fact I question Linn's theory (that they have proved many times) that the source is the most important in the Hi-Fi chain. Linn's theory is top notch source with lessor rest of gear including speakers trumps expensive speakers with lessor source. I think is right if all things are equal but Klipsch heritage are NOT equal! They make a sound and feel that most either LOVE or hate. (I am in the LOVE camp and other speakers are boring to me)

So here goes and I hope this helps guys looking at caps in the future. Keep in mind Klipsch (heritage Khorns Belle's and Lascala's especially) are likely to show the effects of crossover changes more then most.

1 The caps are 30 years old and
2 the speakers being horn driven make changes 10x times more apparent.

Someone once told me find speakers and components you like THEN start to tweak if needed. Don't tweak something you not in love with. Makes sense to me.

So sound
Record is Let it Be (Beatles)
The voices are hard almost sounds like a worn out stylus.
Treble is very hard. I Me Mine has hard sounding guitars. Symbals sound awful. Everything has a digital vs. analog comparison x50! Paul's voice not as bad as John's and George's. Voices will crack.

different lp
Trumpets sound awful. Tambourine terrible. Bass is not great seems shy (compared to normal) but the bad caps draw soooooo much attention to the broken up mid range and hard highs that are not bright if anything it seems the highs are not working up to snuff. I have went many times to speaker to make sure tweeters are even working.

All in all they sound like crap except these Klipsch have such fantastic dynamics that even when not right they are exciting!

Makes me wonder about the people who do not like them if they are hearing worn out caps and cheap electronics? Then I can see why they do not like them! If I did not know better from 25+ years of ownership that would make sense.

For the new crossover I have chosen Mundorf Silver in Oil from what I have read and can afford. I want a warm not overly detailed sound as Klipsch already has lots of detail and does not need to be "livened up" they need lush smooth sounding caps. Hope I have made the right choice?

When the crossover is in I will do a initial impression on same lp's. Right now it goes from really bad (on what may be worn vinyl) to not as bad but NOT great on great vinyl. (I know the quality of the vinyl because tested on other speakers Linn)

The new caps are Mundorf Silver in Oil and new copper foil inductors are coming. I will at the same time be rewiring the speakers to 12 guage from the lamp cord that PWK put in. PWK was a master at getting very good sound often with crap by today's standards components.

The choice of speakers would be a toss up now depending on what I am listening to. Klipsch vastly more dynamic but if the breaking up of the sound becomes to much to effect enjoyment the Linn would be a better choice on that Lp. If I could I would switch a button back and forth between speakers depending on song and how bad the break-up sound was bothering me.

volleyguy
As a former commissioned salesman I request a % of that increase on every Duelund component sold hereafter. Thank you for your keen observation and your gratuitous response. I will forward you my direct deposit information. Tom
I will be having some more time in the next month for some more tests.

I have been digging into the recording process more as it seem there was a huge improvement in the late 40's early 50's. It seems the Neumann U47 mic is credited with much of this. The U47 shares much in common with the "Hitler mic". The early U47 used the same capsule as the Hitler Mic. The so called "Hitler Mic" was a blank cheque government design given to Neumann so they could make a mic so good it would capture emotion not just sound.

http://www.wunderaudio.com/CM7sound.html

I understand the early U47 capsules were very complex (and costly) to make.

Duelund have you ever thought about redoing one of these U47's vintage mics with your Silver wire and Silver CAST caps???

We might actually end up with something better than the world has ever seen/heard!

Going back to more regular comparisons here soon and want to start using some Silver in the amps.
I have done more extensive listening to the Jensen Paper vs. Duelund VSF. often on Mono CD's just to be sure.

The differences

With Duelund sounds are indentified much easier less random sounds. (this makes music more enjoyable)

Duelund has much more natural reverb and tone of each instrument.

Duelund has less midrange drone. What causes mid range drone???

Jensen sounds more mechanical.

Duelund sounds much more rich liquid and complex.

I will in fact not likely be doing any more comparisions except within the Duelund range. (I will leave that to you guys) The thread is starting to sound like an advertisment for Duelund. I can easily hear the difference. I wonder if it is caused by the silk???

It is the same to me since I first put my first Duelund cap in the crossover. Liquid sound. I could not believe it then as I hated my dry CD player before that tweeter cap. It is the same today each time I put in one more of those caps (or wires) the system is more natural with better tone and less random noise.

I do not want to be critical of Jensen Copper Paper tube caps as I think them very good capacitors as I have said before. Duelund VSF is just that much better.