From tubes to solid state

I'm using both SS & tubes. I went back and forth with ss and tube preamps until I found a tube unit that I can live with (BAT VK30se). For the power amp, I found myself switching between a Classe CA300 and my CJ Premier 11a. The Classe had more punch but I found that I spent more time enjoying the CJ tube amp. I sold the Classe and now use the CJ Premier 11a tube amp biamped with a CJ MF2250 solid-state amp, both driven by a BAT VK30se tube preamp.

What next? I'd like to try a quality ss power amp mated to the BAT VK30se preamp. I'm thinking Pass Labs X150, Sim Audio W-5, maybe Krell KSA-200S or FPB200. I'm still researching and open for suggestions.

I've found the best results with a tubed CD player and SS preamp/amp. I get the power and slam I want with that nice cream and air on top which the tubes produce. I think everyone should have tubes SOMEWHERE in the chain, and find the best place for them is at the source.

RLB61: I agree in principle, but the tube CDP's I've heard (e.g. AA Capitole 24/192 MKI) are bit too ripe in the bass for me. So I prefer a solid-state CDP (preferably without preamp needed), feeding a biamped system where one can use tubes for mids/highs and solid state for bass. But certainly it is nice to have tubes somewhere in the chain to give the mids a palpabiity, and smooth out the highs....
All this gets complicated and expensive,unfortunately.

I think my decision to move from tubes to SS is largely related to my many years as choral singer and wind player. Good tube systems impart a lush sort of euphonious distortion that can result in very pleasant and listenable music. Despite that enjoyable, even seductive sound, I always had the realization that what I was hearing wasn't quite true to the music-making experience as I knew it from endless hours in the pit and in the choir gallery. My sense when listening to many tube systems was that they somehow filed the rough edges off the music, recalling the burnished glow of memory rather than the more realistic, if less euphonious, recreation of the actual experience. What I mean is that when I listen to a good tube system playing, say, a Mozart mass, I think, "Oh, yes, this is what I want to think that it sounded like. When I listen to the same work through a good SS system, I think, "Oh, yes, this what it REALLY sounded like."

This desire for a precise, analytical, unvarnished reproduction of the program content has guided my selection of speakers, sources, everything. And it has taken me away from tubes.

Only my opinion, one among many. As Fletchj rightly notes above, the only thing that really matters is the enjoyment your system brings you.

Happy listening!

will

Bishopwill's post supports the proposition that a tube amp acts like an equalizer with gain instead of a pure gain stage. If the transfer function of the tube amp is determined then it should be posible to design a solid state implementation which will yield the same results.