neutrality vs. realism


What is actually the final goal of high-end audio: to reproduce recorded music as neutral as possible or to give the highest possible level of realism? For some manufacturers (like Spectral and Madrigal) it is the ultimate goal regarding their amplifiers, to sound like no amplifier at all. There is less coloration, less "house sound", more "truthfulness". I think this is a good basic consideration, but it must not derive the sound of it's musicality. Those amplifiers are generally sounding lifeless! Don't get me wrong, this is not about the tubes vs. solid state controverse at all, because I think that solid state amplifiers are able to give a high level of musicality without sacrificing neutrality (Boulder, FM Acoustics). What seems perfect on paper is not always the way to go: "neutrality" and "perfect measurements" are not the synonyms for musicality and realism.
dazzdax
I think that we are all looking for the same things i.e. a system that can deliver all of the subtle and delicate details of a recording :

A) without loosing any warmth in the mid-bass, liquidity of mids or definition of low frequencies

B) without introducing any artifacts of the systems own doing

C) present it with slam, impact, delicacy, shrillness, etc... as necessary

D) do it with excellent spatial characteristics

E) maintain an even, natural tonal balance

F) reproduce all of the subtle, yet mandatory, harmonic overtones in the proper structure that one hears in nature

G) have limitless dynamic range at any listening level.

The main variables as to how we end up in different places in terms of systems has to do with the fact that we all have different listening skills, hearing abilities and personal preferences.

We do not all know how to "listen" nor do we all hear or like the same things. The first part ( listening skills ) can be learned. Their are actual courses that one can take in their own home that can teach you how to become a better, more skilled listener. Personally, i think that this can be both beneficial and a drawback. Critical listening has both ups and downs.

The second part ( hearing ) has to do with the shape of our inner ear and how our brain and nerves process that info. We might hear identical notes, yet due to the size and shape of our ear passages, that identical note could be processed by our individual brains with slightly different frequency responses, amplitudes, etc... Obviously, this is a variable that we as a group could never overcome due to physical attributes.

As to the third variable in the equation, personal preference is just that. I can not tell you how something sounds, tastes, feels and know for a fact that you are experiencing the same joys, displeasure or lack of concern that i did about the subject. You might be able to better understand how i feel about the subject though communications, and you might even agree to a large extent, but that does not mean that you will go through the same exact experience / emotions if put into the same situations.

With that in mind, it would be difficult to find two people that would build identical systems even if they had identical rooms. Now throw in the fact that both could listen to the same system yet hear / listen for different things. They would obviously take note of the specific attributes of the system ( or food, clothing, etc.. for that matter ) and process the things about that system that they PERSONALLY found most important. After all, we all rank the various aspects of system performance with different levels of importance. While some might consider accurate tonal and timbral balance most important, others might think that imaging and soundstage are more important. Then you'll have some that feel that dynamic range, spl and bass extension should carry more weight in the rankings, etc... We all like different things and rank different system attributes in importance as individuals. While doing all of this "ranking" and "critical listening", our levels of enjoyment and personal involvement during that situation might vary wildly. Some would rank "musicality" or "personal involvement" with the music higher than any of the above, regardless of how well other aspects of performance measure up.

To me, it is about ALL of the various aspects that make up a music reproduction system. While i might rank my personal values about system attributes different than you, we all strive for something that WE as individuals can enjoy. As such, audio reproduction becomes a very personal quest and we should all buy what we prefer as individuals. Nobody can tell me what i like or how something sounds. I have to experience it for myself, fully digest the situation and then form my own opinions as to likes, dislikes, etc... That is why we have different brands, makes, models, flavours, colours, textures, shapes, sizes, etc... Every manufacturer has their own ideas as to how to fill your needs but only you know EXACTLY what your needs are as an individual.

There IS something out there for everyone, it is just a matter of finding it. Hopefully, we can share our experiences in a manner that helps others locate what they are seeking out in a system. Sean
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Sean what a great post!!!!!!!!! Awesome. I was so impressed by your post I'm going to print it and share it with other audiophiles. You hit so many facts right on the mark. I hear what I like, I feel what is right for me, and others look for something completely different. We must each find what we are looking for, to hear the things we like, and you are totally correct, each person is looking for "their sound". While we are all trying to achieve the same goal, we all take different roads to get there. Thanks for a great post Sean.
What ever you think sounds best. Sometimes when I listen to a great system, I forget where I am and get drawn into the musical moment. This illusion usually occurs when the system does not add any distracting sonic effects. I prefer tubes but good solid state also can do it. Musicality it first but you need to be somwhat neutral but not to the point of being clinical.
I would like to add my 2 cents to this question....

"to reproduce recorded music as neutral as possible or to give the highest possible level of realism?"...

I remember (many yeras ago) visiting Lyric Hi-Fi in NYC. The great Mike Kay demoed the Mark Levinson ML-1 per amp against Audio Research SP 3a-2. The Levinson, to me was more neutral, clean as spit and polish and astonishingly fast!! The ARC, however, sounded (to me) more like the concert I went to two weeks earlier! For me...it was as simple as that!!

Rick
Ok, this thread has not been as interesting or funny as I expected. The essential problem is that stereo doesnt do real life. It's a 2 dimensional medium. So, you can either strive for neutrality, each component adding to or subtracting from the signal as little as possible, and listen to what the recording engineers intended. Or you can play with frequency response to try to make things three dimensional and flesh things out and sound realistic.

I read a review of a preamp a year or two ago that I thought was strange. The reviewer said it sounded different from his reference, but couldnt say which was right. Then he said it sounded different from no preamp, cdp straight into the amp, which would seem to suggest it was not neutral. The he said it sounded more like the real life performance he had just attended than either his reference or no preamp at all.

Some time ago, Carver Corporation marketed a preamp with a "sonic holography" circuit. What was that? Just an equalization from flat, or deviation from neutral, in order to sound more like real life.

A famous guy who quit hi-fi (and who I won't name) said: "Audiophiles don't give a damn about whether their systems sound like real music as long as it pleases them. It was inevitable, though, when the vast majority of music-lovers never hear live, unamplified music to compare their playback with." I think that's the answer to the original query above.

Althouh I dont really care if my system measures flat, so long as it sounds to me like the real life voices of my favorite performers (or the real life sounds of specific instruments), I think I like all of my equipment because it is neutral. I think it sounds like real life because each component is as neutral as it can be and either the recording engineers did a really good job or I seem to somehow fill in the blanks.

That's the only way we can make any progress, if every one has the same goal of neutrality. All of the high-end stuff that doesnt aim for neutrality leads us astray.