Riddle me this...


Why is it that you cannot seem to purchase a lower-powered solid state amp any more? None of the “names” in solid state amps seem to make any reasonably priced or powered products at all, and most haven’t since about the early 90s. (A few come to mind right off, Levinson no. 29, Rowland Model 1, Krell KSA-80, the family of Pass Alephs). These days, the most modest offering from any of these companies (not to mention everyone else) is many times more expensive, in no small part due to the fact that they are all many times more powerful.

Question is, why? Why should I need 250wpc+ to drive any reasonably designed speaker? What is it about the industry that seems to be in a conspiracy (or, at least, conscious parallelism, for you antitrust geeks) to foist more and more power on the consuming public while, at the same time, doubling or tripling prices for their most modest gear? Why is it that, if I want a really nice amp at less than 100wpc, I have to either go with tubes or with gear that was made at least a decade ago? Why is it that most speakers made these days are either “tube friendly” or “require” an amp with enough power to light a small village to actually go?

Now, don’t get me wrong, I’ve got inefficient speakers and a 250wpc amp which I like the sound of just fine. It just strikes me as preposterous that I (and we, if I may speak for the market) seem to have been conditioned to believe that this is necessary. Why on Earth wouldn’t someone get a reasonably designed, efficient pair of speakers and, say, a Pass Aleph amp for a negligible fraction of ANYTHING built by Pass these days and never look back? I understand there are plenty of legit reasons why more power can be desirable (“never can have too much” yea, yea, I know), but am a bit miffed that, legit reasons or no, the market no longer seems to offer choices. We a bunch of suckers, or what? (Yea, a bit of a rant, but this has been bugging me -- am I the only one? Did I miss something? Can I get a witness?)
mezmo
Mezmo,

Shhhhh. You're screwing up the trickle down for us trailing edge guys. Let's all agree to keep this a secret.
How about the monarchy audio amps? I have a SM70 (25 watts class A - paid under $500) hooked up to a little pair of B&W leisure monitors in my office. The sound is sooooo smooth and natural that I sit here for hours listening while surfing. As a pleasent by-product of being class A it also keeps my office warm in toasty in the winter (now if I could just fit my bed in here...).
Ben Campbell is right on the money.

First, you may need to look away from the American companies. Investigate products from Europe, many of which will be smaller companies most people have never heard of. They tend to offer amplifiers with simpler layouts and lower power. The foundation the companies you mentioned Jeff Rowland, Krell, Mark Levinson were built on. 25 - 100 watts, no more parts than it takes to do the job(signal purity, you know), care in the build, and making sure everything sounds just right. What I consider the heart of high end audio; a small(maybe just one person or family) outfit producing very good sounding equipment in a less imposing package.

Yes, there a lot of tube amplifier manufacturers in this lot, but you can find a wealth of solid state equipment.

I know this may go against the grain, but I find little innovation on this side of the ocean in the past 5 or so years. Focus has shifted from music(what AUDIOphiles are interested in) to home theater and multichannel. Our priorities are very different.

We seek out the recreation of a live performance or a natural presentation. We look to soft passages that are important as crescendos, refinement that pleases rather than irritates, and often a seductive, romantic sound.

HT seeks out the recreation of what is heard in a movie theater. Volume, Volume, and VOLUME, bloated midbass, screeching highs, and sound coming at us from all directions.

A few days ago a friend was trying to tell me why 6 speakers are better than 2. One point he made was that it is jaw dropping to hear the sound of a plane roar over your head. For that, rear speakers are needed. True. But I have never listened to a band and wanted to hear a plane fly over me, and I only want to hear bands. Musicians always play directly in front of me, or at least when I am able to get a good seat.

What we go after is different.

And, what is built is different.

Many of the great American companies created formed to make music have shifted production(rightly and smartly so) to where the money and demand is. While audio still plays a significant role, the consumer's focus this holiday season is on plasma displays and subwoofers that make rumbling sounds that I never hear in music or nature. Silver disc playback machines try to cram more and more into the same box; CD, DVD, MP3, and now even DVD - A and SACD - got to cover all the bases. Can a player which does everything master anything? Time will tell...

Many American companies have gone toward what Ben aptly puts as BIG. Designers, architects, electricians, and installers. 25, 50, 75, 100 watts? NO. We need 250, 500, 1000 watts. More power, more channels, more speakers, more lights, more effects, more gadgets, more trinkets. Movie theater seats. Stadium seats. Cupholders. A popcorn machine! The only less they seek is to have the whole kit and kaboodle on one remote.

And, the goal is me when we have Betty White sound like Barry White. After all, what good is a subwoofer if you can't hear and focus on it?

Maybe I am crazy, but I am looking for smaller. For less. Smaller room. Listening in the nearfield. Lower power. Less tubes, less transistors, less things in the box. Simple circuits, cable constructions, and crossovers. The more I think is good is more sensitive speakers.
Absolutely! The watt rating thing is out of order. I have to believe Bigtree about bigger amps sometimes taking away some of the musicality, thus not a class A sound. Jadis lets you know which of their amps are class A. Ok, so we need to vote which amps for reliability, price, and sound are A as reference, the rest will fall somewhere in the A/B and B category. For instance Electrocompaniet are very reliable, sound great, and reasonable price, so they get a class A rating from me.