I can't make up My Mind Please Help...


I am going to be upgrading PRE/PRO within next week. Im looking to spend 3-5k. I have narrowed down to two units. The Aragon stage one and the EAD theatremaster 8000pro. My logic behind picking these two is they are supposed to be very good/great performers for 2ch along with all the other stuff. I listen about 70% 2ch and rest DVD-A and movies. And i care much more about music quality than movie playback. I am limited for space and dont have the option for seperate systems.

A couple of things i think worth mentioning:

The Aragon has analog pass thru for 2ch w/bass managment in analog domain along with analog pass thru for SACD and DVD-A. And also different crossovers can be set for 2ch and all
others..

The EAD has the ability with analog pass thru for 8ch's
so a DVD-A 6ch can be used along with a SACD for 2ch. It
also has ability for stereo subs which could be very useful.

I would love to hear any comments on those two?
I am teetering on the fence and cant make up my mind.

My system consists of:

YAMAHA RX595 using as a pre/pro (this is what im replacing)
BEL CANTO EVO6
BEL CANTO DAC2
YAMAHA DVD-920 DVD-A
YAMAHA CDM-900 Redbook
MONSTER POWER HTS-5000
INFINITY: 4 IL30'S FLOORSTANDING AND TWO IL10 CENTERS
(ONE FRONT CENTER..ONE BACK CENTER)
VELODYNE SUB: CHT15 (SERVO CONTROLLED)
MONSTER SUB POWER (sub only)
ALL INTERCONNECTS: ANALYSIS PLUS CRYSTAL OVALS
SPEAKER WIRES: ANALYSIS PLUS OVAL 12'S BI WIRED
Video:
TOSHIBA 65 HDTV
TOSHIBA HDTV RECIEVER DST3000
MONSTER POWER HTS-1000 (video only)
Hughes oval dish for Direct TV.
TERK TV55 for terestrial HD signals.
spluta
Of the two units you listed, I'd probably go with the EAD. Not to complicate your decision, but I'd add a third candidate to your choices: The Bryston SP-1.7, which sells for $4200. If you have not considered it, I think you should before you make a purchase. Bryston products are superbly made, offer great sound, have a 20-year transferrable warranty, and provide perhaps the best repair/customer service in the industry.

Click on the attached link to the Bryston Web site for more info about the SP-1.7:
http://www.bryston.ca/preprosel.html
For the record, either of these two units are going to have likely similar potential as analog preamps. They're still going to be ultimately surpassed by better dedicated 2 channel preamps in terms of sonic purity, musicality, soundstaging, etc.
The features you mentioned regarding "stereo subs" and such might be something you want to keep for you music and HT needs, depending. IF that's the case, it would make that set up convenient going with the EAD I suppose..assuming the Aragon doesn't have this feature.
For me, the only 2 channel attraction between the two units would be the stereo subwoofer set up scenario offered by the EAD...and of course, you'd get excellent DD/DTS capablity and 6ch in(or "dirrect digital in" capability if you use that route for other sources, and out of your DVD player). But you'd STILL BE GETTING BETTER 2 CHANNEL PURITY with an outboard 2ch quality preamp! Even using a lesser ambitious pre/pro for your movies or 6ch dubties, you could still buy a used high end preamp for 2 ch, and get better all around potential results ultimately. But, everyone's needs and desires are different.
If you used both 2 ch and multi ch from only one pre/pro, then I like your choices you're concidering, indeed.
If you wanted to maximize both multi channel and 2 channel, you'd get the best of both worlds using something less expensive, yet excellent sonically, like Classe SSP30, and use the extra money for a dedicated 2 channel high end preamp for 2ch dubties!..It's a thought. (you'd then simply
use an auxillary or "processor through" on your preamp when you wanted to use your Pre/pro for movies..simple.
I doubt you'll lose with either of those potentially fine sounding pre/pro's if that's what you decide. My gut say's you might be happier with the EAD ifyou went that route however...
Good luck
If 2-ch is your priority I would do it differently. I would buy a 2-ch only preamp with unity gain input/control for pure 2-ch playback. I would keep the Yamaha as surround processor and connect its two front channels to the preamp. With this setup, you will get the best 2-ch playback without having two separate systems. No matter how good analog pass through is, a surround processor cannot complete with the best preamp at the same price.

There are many great preamps to choose from in the 3-5k range, both tube and ss. If you are willing to buy used, you can even get some top-of-the-line state-of-the-art ones.

BTW, I have a Yamaha DSP-A1 connected to a BAT VK-50SE. In a direct comparison, it outperformed a fully loaded Theta Casablanca in 2-ch.