Inpep, my answer to that is, that I can hear the differences between the CDPs, even on mediocre speakers. If I can't hear a difference, then I doubt there is much if any difference between them, and one would not represent an upgrade over the other. I realize that it is harder to tell the differences between similarly priced CDPs, because there really is not much difference between them, and the digital source material is so limited, that the primary differences will be fairly expensive to get, such as a quality analog output from the DAC and low-jitter mechanisms. This is why the Linn CD12 and others are so much more expensive.
However the main problem with digital sources is, that even if they get the sound off the disc and into the system, it is far lower quality than a similarly priced analog source. A large percentage of the musical information never got onto the disc in the first place, due to the sampling technology that is used in all digital recordings. A "sample" means that the whole wave is not used, only little sections chopped out on a regular timing structure. If you think that this can give equal performance to replaying the entire wave, then I can't help you with that.
The main challenge of analog systems is recovering the massive amount of information off of the record, and this is why improving your TT can improve the sound so much. No TT has ever been able to totally extract all the info from the groove, but at least the TT gets a continuous waveform to work with. The better it does at recovery, the better the sound is. The real source is the recording and a continuous wave recording with all its warts, is still a better source than a sampled wave recording.
With digital systems the challenge is to make something decent sounding out of a sampled and chopped up waveform that left a good portion of its information on the recording studio floor. Even if it recovers 100% of what it can get from the disc, it is not enough. A five minute comparison of a $6k TT vs a $6k CDP will tell you more about this fact than I could explain in a term paper.
The speakers are an important part of the system, just as all parts are important. I don't take this lightly. But I have done comparisons, and understand the factors involved, and even a modest speaker that you might call "unresolving" will still tell the tale. It might not give the 20Hz lows or even the 20kHz highs, but the musical presentation will be audible, and will reveal the better source.
I have never heard any speaker in any decent audio store that had any speaker that was so bad that it wouldn't show the quality of what was in front of it. And if there is such a speaker, why would anybody who owned it care at all about anything else in their system?
I get the feeling that you are being argumentative for argument's sake. Yes, I agree if you unplug the speaker, no sound will come out. If you have a speaker that makes any decent kind of sound, the front end will be easily discernable.
However the main problem with digital sources is, that even if they get the sound off the disc and into the system, it is far lower quality than a similarly priced analog source. A large percentage of the musical information never got onto the disc in the first place, due to the sampling technology that is used in all digital recordings. A "sample" means that the whole wave is not used, only little sections chopped out on a regular timing structure. If you think that this can give equal performance to replaying the entire wave, then I can't help you with that.
The main challenge of analog systems is recovering the massive amount of information off of the record, and this is why improving your TT can improve the sound so much. No TT has ever been able to totally extract all the info from the groove, but at least the TT gets a continuous waveform to work with. The better it does at recovery, the better the sound is. The real source is the recording and a continuous wave recording with all its warts, is still a better source than a sampled wave recording.
With digital systems the challenge is to make something decent sounding out of a sampled and chopped up waveform that left a good portion of its information on the recording studio floor. Even if it recovers 100% of what it can get from the disc, it is not enough. A five minute comparison of a $6k TT vs a $6k CDP will tell you more about this fact than I could explain in a term paper.
The speakers are an important part of the system, just as all parts are important. I don't take this lightly. But I have done comparisons, and understand the factors involved, and even a modest speaker that you might call "unresolving" will still tell the tale. It might not give the 20Hz lows or even the 20kHz highs, but the musical presentation will be audible, and will reveal the better source.
I have never heard any speaker in any decent audio store that had any speaker that was so bad that it wouldn't show the quality of what was in front of it. And if there is such a speaker, why would anybody who owned it care at all about anything else in their system?
I get the feeling that you are being argumentative for argument's sake. Yes, I agree if you unplug the speaker, no sound will come out. If you have a speaker that makes any decent kind of sound, the front end will be easily discernable.