$4500 amp beat out the Tenor OTL in the latest TAS


You read that right! In the Feb/March edition of TAS, HP declares that the ASL (antique sound lab)Hurricanes at $4500 are the best amps he has EVER heard at any price. In another section of the same issue, the hurricane won tube amp of the year while the Tenor 75 watter was the runner-up.
dolphin
Kana813, I am often skeptical about reviewers' abilities to hear and describe in worthwhile ways, and am as critical as anyone of Stereophile's overall failure to live up to its potential as an enthusiast publication - a distinguishing trait matched only by its wildly disproportionate influence in the market. And neither to I share Onhwy61's optimism about the preponderance of 'rave' reviews.

But I am sick and tired of hearing the conspiracy theory that reviews are written for advertising dollars. Do I think the reviewers and the industry are too close? Without a doubt, and it negatively influences the quality of criticism. I even believe that there begins to be something like a quid pro quo as it regards reviewer access to gear over time. But it has never been shown that there is a quid pro quo when it comes to advertising expenditure, and it makes no sense that there would be. Why would any manufacturer who can afford it not advertise in Stereophile, no matter what the review said? These allegations are always - as in your case - offered up without a shred of proof. The suggestion that postive reviews are prearranged in exchange for ad purchases has never been substantiated in the slightest, yet many readers apparently take it for gospel. There are real reasons having to do with the mag's editorial direction that have a great deal to do with this situation, and their refusal to reform their reviewing practices and ratings system is a concern for impartial readers, but I don't believe they are financially corrupt in the manner you imply.

Besides which, regarding the Parasound JC 1 review, whatever credence you choose to give or not give to his conclusions, I think anyone who's read Fremer's writing for any length of time could never seriously accuse him of being in anyone's pocket or biting his tongue. He has zigged and zagged a bit over the years in the big picture, but in a natural way that just suggests a guy gaining experience and changing his preconceptions and priorities to some extent as he goes. I think he's basically honest, and a decently communicative writer (and even more entertaining). As far as Atkinson goes, yes, he's too swayed by his measurements, but at least his measurements are undoubtedly real, for whatever that's worth. He simply can't be in the lab faking it for ad dollars. Baseless accusations like yours are easy to make if you don't have to give any evidence. It might be fun to lob bombs from a safe distance, but it doesn't make a person wise or iconoclastic, just irresponsible and cowardly. Show me some proof, and I'll be more than willing to jump on the bandwagon, but 'til then I'll use my own good judgement and common sense.
Why such negativity? The market for statement audiophile products is overflowing. The last 2-3 years have seen an abundance of truly great products come to the market. Some of them are extremely expensive and may represent a poor dollar investment, but others are somewhat reasonably prices, at least by audiophile standards. There's a certain level of hyperbole to call a product "the best", but the mags would be disingenuous if they didn't give these products raves. For instance, if we just limit the discussion to speakers, could someone please point out from the following list which product didn't deserve its rave review:

Avalon Eidolon
Avantgarde Trio
B&W Signature 800
Coincident Total Eclipse
Dynaudio Evidence
Dynaudio Temptation
Harbeth 40
Kharma Reference 3.2
Magenpan 20.1
M-L Prodigy
Quad 988
Revel Studio
Wilson Sophia
Wilson Watt/Puppy 7
Wilson MAXX
Vandersteen 5

If my memory serves me correctly, each of the above products recently got a rave from one of the major mags. Over a three year period it works out to a rave every two/three issues. I believe the situation is similar with electronics.

As Carly S. once sang, "These are the good old days."
Zaikesman- Glad you believe in Stereophile and it's reviewers. I'm not a subscriber anymore, I haven't read the JC-1 review. I hope Halo & Mr.Crump make lots of money.

October 2002 was my last issue...you know the one where they proclaimed the $25K Halcro DM58 is "The best ampilfier ever!"

In that issue, both it and the $1.7K PS Audio HCA-2 are rated Class A. If the Halcro DM58 is "The best ampilfier ever," shouldn't it be A+? And how does it compare to the JC-1s, is it worth the $19K difference in price, will it turn my listening room into the Village Vanguard?

They're the cowards Zaikesman, because they don't want to offend advertisers. It's not a question of postive reviews being exchanged for ad purchases, everything new sounds great. And please remember Fremer's reviewing career started under HP, that how he learned to play the game.

My point was and is, the marketplace information on Audiogon is more valuable and it's free.
I would love to see a review that lists characteristics of an amp (or any piece of equipment), instead of judging it as good or bad.

Some amps do well in certain situations, and have certain strengths, but can't be strong in all areas. Some are "lean" and revealing, some are warm and lush. Some seem more extended, while others present a certain weight to the music. There are ways I think that reviewers can describe equipment without getting into a "better than, worse than" diatribe.

A review of the Tenors might talk about how great these match up with speakers that don't need high current, and how they can make speakers like this really shine.

Or, alternatively, talk about how the Tenors really don't do so well with low impedence speakers.

I always love finding threads here at Audiogon where equipment near in price was listed with an appropriate description. I remember a digital thread that went like this; the person wrote Naim/Linn -- on the beat; BAT/Audiomeca -- seductive/rich; Wadia -- transparent, extended; etc... this list (I can't remember where I saw it) was so useful, because personally there are some qualities that I value over others. And, it also helps when I'm thinking about my system, and what/how I may need to adjust the sound in a certain direction.

Anyway, not sure if I'm making sense, but I kind of wish there was less of a good/bad judgment call, and more relative comparisons, product matching and characteristic qualities described in these reviews....

I'd like to make up my own mind re: whether I think it's great or not!