Why such negativity? The market for statement audiophile products is overflowing. The last 2-3 years have seen an abundance of truly great products come to the market. Some of them are extremely expensive and may represent a poor dollar investment, but others are somewhat reasonably prices, at least by audiophile standards. There's a certain level of hyperbole to call a product "the best", but the mags would be disingenuous if they didn't give these products raves. For instance, if we just limit the discussion to speakers, could someone please point out from the following list which product didn't deserve its rave review:
Avalon Eidolon
Avantgarde Trio
B&W Signature 800
Coincident Total Eclipse
Dynaudio Evidence
Dynaudio Temptation
Harbeth 40
Kharma Reference 3.2
Magenpan 20.1
M-L Prodigy
Quad 988
Revel Studio
Wilson Sophia
Wilson Watt/Puppy 7
Wilson MAXX
Vandersteen 5
If my memory serves me correctly, each of the above products recently got a rave from one of the major mags. Over a three year period it works out to a rave every two/three issues. I believe the situation is similar with electronics.
As Carly S. once sang, "These are the good old days."
Avalon Eidolon
Avantgarde Trio
B&W Signature 800
Coincident Total Eclipse
Dynaudio Evidence
Dynaudio Temptation
Harbeth 40
Kharma Reference 3.2
Magenpan 20.1
M-L Prodigy
Quad 988
Revel Studio
Wilson Sophia
Wilson Watt/Puppy 7
Wilson MAXX
Vandersteen 5
If my memory serves me correctly, each of the above products recently got a rave from one of the major mags. Over a three year period it works out to a rave every two/three issues. I believe the situation is similar with electronics.
As Carly S. once sang, "These are the good old days."