Tater, honey,
I hold little hope for you as a result of reading your petulant anti-Rowland rantings. You can't or won't spell the man's name correctly and you have not as yet betrayed any knowledge upon which you might reject his fine amplifiers.
If you trouble yourself to type JRDG into Google ou will find his website. From there you select "products" and from there select the Concentra II. There is a tech talk section there which will provide you with many reasons to admire his innovative spirit and clever designs.
If ever you purchase a new Rowland product, the experience of opening the box and acquainting yourself with the sophistication and gracious goodwill of the people who built and packaged it just for you is delightful beyond ready description. If ever you have been attended to by the more elegant of the servant trade, then you have a hint of the feeling Rowland conveys.
Soundwise, it cannot be faulted. I will concede that there are amplifiers whose characteristics better convey the sound effects of overproduced, unintelligible commercial recordings but in my vast experience I have yet to hear any solid state device that can do better justice to the essence of real music performed on acoustic instruments.
So, Tater, please do yourself a favor by noting the correct spelling and reading about the Concentra II. If you are still in the mood to lock horns on this topic at that time perhaps you will have some.
I hold little hope for you as a result of reading your petulant anti-Rowland rantings. You can't or won't spell the man's name correctly and you have not as yet betrayed any knowledge upon which you might reject his fine amplifiers.
If you trouble yourself to type JRDG into Google ou will find his website. From there you select "products" and from there select the Concentra II. There is a tech talk section there which will provide you with many reasons to admire his innovative spirit and clever designs.
If ever you purchase a new Rowland product, the experience of opening the box and acquainting yourself with the sophistication and gracious goodwill of the people who built and packaged it just for you is delightful beyond ready description. If ever you have been attended to by the more elegant of the servant trade, then you have a hint of the feeling Rowland conveys.
Soundwise, it cannot be faulted. I will concede that there are amplifiers whose characteristics better convey the sound effects of overproduced, unintelligible commercial recordings but in my vast experience I have yet to hear any solid state device that can do better justice to the essence of real music performed on acoustic instruments.
So, Tater, please do yourself a favor by noting the correct spelling and reading about the Concentra II. If you are still in the mood to lock horns on this topic at that time perhaps you will have some.