Interesting in this discussion is that virtually no mention is made of that nasty stuff, "distortion", by name. My experience is that ALL systems distort, some nicely, adding a soothing patina to the sound, but the majority inject varying amounts of relatively low level, edgy, unpleasant and irritating distortion which then overloads the ear and brain when you turn the volume up. I'm talking here of non-linear distortion, not frequency or phase response effects.
As mentioned, many musical instruments are naturally LOUD, but nasty, amusical, low level distortion is not part of unamplified sound. If you eliminate the majority of the unpleasant stuff from a system, which is typically very difficult to do, then even a very ordinary setup can sound hugely realistic.
One easier way to get there, as some know, is to use highly efficient speakers with powerful amplifiers; if the components are virtually idling when in normal use then you have a much better chance of keeping "bad" distortion at bay ...
Frank
As mentioned, many musical instruments are naturally LOUD, but nasty, amusical, low level distortion is not part of unamplified sound. If you eliminate the majority of the unpleasant stuff from a system, which is typically very difficult to do, then even a very ordinary setup can sound hugely realistic.
One easier way to get there, as some know, is to use highly efficient speakers with powerful amplifiers; if the components are virtually idling when in normal use then you have a much better chance of keeping "bad" distortion at bay ...
Frank