++++StereoPhile Class A components+++++


Any of you guys who have listened to more components than I have, or maybe anyone who has been in the industry: I see a lot of posts mentioning "stereophile class A " etc, so I assume this recommendation carries a lot of weight. (After purchasing my Audio PHysic Virgo II's, I saw that they were class A in stereophile, so I felt like I agreed with what they were saying.) Are the reviews completely independent? With the vast array of components out there, can they really cover all of them? Do you guys really agree with the class A and B thing? Thanks for the perspective....Mark
mythtrip
good advertisers=good revues..its true in any industry where advertising is critical for one party and good copy is critical for the other........there is no santa claus....buy with your ears,not someone elses...especially whe its your money being spent,not theirs.
1) In addition to what jrd says, that would be good EXPENSIVE ads for good reviews. (in addition to other things)
2) Oh ya, and I'm not going to mention names, for the same reason that it is whispered in the industry; no one wants to commit suicide or get black-balled and lose their chance at a less expensive, possible Class 'B' or 'C' rating later. That's not a contradiction either. Eventually, even though it may scare the hell out them (and their bank account) a smaller company may well deal with the devil, just to get the attention.
3) The economy didn't hurt the big companies with the deep pockets and the expensive ads who always get great reviews and ratings. (not as much as it hurts the little guys who can't afford the...ahem...marketing)
4) I repeat the first ting I said, lest we get further side-tracked.......just because a really expensive product has a Class 'A' rating, it does not mean it is the best. There are a lot of products out there that sound a lot better for far less money. Buy with your ears, not your eyes!
You wrote: "good advertisers=good revues."

Again, if you have any proof that there is such a quid pro quo relationship, please let us know. I am not asking for anecdotes or any simple statistical study, just an agreement in writing or a verbal one to which one of the two primary parties will attest.

As a reviewer, I have no idea who advertises nor do I care.
Zaikesman - sorry for the delay in responding to your post. I was merely responding to how I use Stereophile's recommended components list. There are other factors that influence my buying decisions, but I do use Stereophile's recommended components to help shorten the list of components I audition. Pretty much every piece of equipment I own is or has been included in their recommended components list at some point over the past ten years or so. I would be in serious denial if I did not admit that Stereophile has influenced my buying decisions (fortunately, I feel positively). I even happen to own a couple of components recommended by Sam Tellig. You know, the guy who is in Musical Fidelity's back pocket. Or, is he the devil? I cannot seem to keep the two straight.

Happy Easter, everyone.
Golden_ears, it is not my intent to minimize or deny the insidiously cozy nature of the mag/manufacturer relationship, but to paraphrase the late Dave Thomas, the beef is still missing from the particular burger you're asking us to swallow. I do use my ears - and my eyes - which tell me you've got nothing but a lot of hot air to offer here. I suggest that you use your common sense - or is the next thing you'll be telling us that the UN and the 'Trilateral Commission' are brokering Stereophile's review deals? Armchair conspiracy-theorizing is a cheap commodity, but your brand of evidence-free insinuation just makes reasonable concerns about the review mill and its real effects on marketing in the high end industry that much easier for the main players to dismiss with a wink and a nudge.