General opinion about ADCOM amplifiers


I was just curious to get everyone's take on ADCOM

I want to upgrade from a reciever to an amp/pre-amp for HT.

I have been looking into Nohr's Le Amp and Le amp 2, i see stuff on the web that says these can go toe to toe with $2000+ Bryston amps, however, im a firm believer that you get what you pay for.

So ive also been looking at ADCOM, there are alot of inexpencive ADCOM amplifiers in the classified.
Ive seen 150w per ch for under $1000, which is kinda the area im aiming for. unfortunatly, money is a limitation.

I know alot of people here have had Adcom and i am curious to see what he general opinion of these amplifiers is. Ive seen them at high mid-end / low high-end retailers but never heard them.

My reciever can double as a pre-amp for 5 channels, which is what i will be using untill i get a good pre-amp with 7.1, then i want to run a couple real good solid powerful monoblocks to the fronts and use the 5ch amp for the rest.
Eventually, those front speakers and the monoblocks will get slowly released from the HT and converted to a 2chan setup.

opinions on adcom? Good value for the money? Over rated? reliable? do they break down?

i got some good stuff, but this reciever part is killing me. It sounds GREAT until you apply any heavy volume, then the amplifier in the reciever loses control and things start to distort. Ugh. Yuck
audiophanatik
I owned two Adcom GFA-5802 power amps. I used an Adcom GFP-750 preamp with them. There was a great synergy with these units.
The Adcom GFA-5802 is a great sounding amp, especially for its asking price! Better than I expected!
It had a smooth, open, warm, and very natural sound in my system. One area where it really excelled in my particular system was in midrange presence, clarity, and vocal reproduction, especially on female vocals. It also seemed to have a sort of a BIG sound to it. The treble was also very smooth, and grainless in my system. The bass was very good, but not outstanding.
In terms of midrange and vocal presence and clarity, they rival or beat any amp I have ever listened to in my system, including the Carver A-760x, McCormack DNA-225, Parasound HCA-3500, Pass Labs X-350, and even my Parasound Halo JC-1 mono-blocks! With a few improvements to its basic design and some higher quality parts, this could be a KILLER AMP!
The only real weaknesses in my system were the bass tightness and extension, a slight lack of snap, extension, and sparkle in the top-end, a slightly narrow soundstage, and just a tad too much warmth.They also get HOT to the touch.
Keep in mind that these results were with its matching Adcom GFP-750 preamp. The results may vary greatly with other preamps, speakers, or in other systems.
I came EXTREMELY CLOSE to keeping this combination! I still miss the EXCEPTIONAL midrange naturalness, openness, and vocal presence they produced in spades! I wonder if I'll ever achieve it again? It was that good!
Has anyone else out there who has owned the Adcom amp and preamp noticed these same strengths with this combo?
I always thought of Adcoms as dry and prefered B&K's and Rotel to them. They are great for Bass and would consider them for Bass amps if I were to Bi-Amp or Tri-Amp. MUSE is another great Bass amp.

I guess I prefer sweet sounding amps.
I also own a pair of 5802s with the 750 preamp. I agree with all of your assessments.The only point to make is after I performed the sonic mods on teh preamp all of your reservations went away
I've owned the 535, while my father still owns the venerable 555 after all these years.

To my ears, these 80s/90s Adcom amps are a touch dry, and a little grainy. If going budget SS, I prefer the B&K ST-140 which has a warmer sound. Of course I really prefer tube amps, but an Adcom is certainly better than most mainstream receivers.

Also agree with the poster above - the lower preamps - GTP-400, 555, 565 - aren't the greatest either. I once owned a 565, and coupled with a vintage H-K Citation V, was a dry, rather unpleasant combination.