Years ago I heard the GFP-750 mated to a Plinius SA250 driving a pair of Sonus Faber Concertos. While the sound was big and bold I felt it was definitely on the dark side and noticeably rolled off on top.
Don't take my comments too seriously since I heard this combo in a store and have never owned the Adcom. But I have owned Concertinos and they never sounded that dull. It could have just been a "dead" room which may have been caused by all the gear it was sharing space with.
I do own and currently use the Blue Circle BC21 and feel it is a lively, organic preamp which places a bit more emphasis on the midrange and mid to upper bass because of its two 6SN7 tubes. I use the BC21 with a solid state amp so these attributes aren't over emphasized, but I do like their presence.
The newer BC21.1 uses two 6922s instead and should present music with a less pronounced hump in these frequencies. The redesign along with the available Shallco attentuator should also deliver a higher level of transparency and detail.
One thing though, if you opt for the remote with the BC21.1 instead of the Shallco, you'll be giving up some of those benefits. Also, 6922s are known for good detailed bass, while the 6SN7s may bloat it and round it a little.
My feeling is that the Blue Circle may add a little more to the sound than the Adcom, but whether or not you like its character I couldn't say. The Adcom should disappear better, and make its presence less felt.
Don't take my comments too seriously since I heard this combo in a store and have never owned the Adcom. But I have owned Concertinos and they never sounded that dull. It could have just been a "dead" room which may have been caused by all the gear it was sharing space with.
I do own and currently use the Blue Circle BC21 and feel it is a lively, organic preamp which places a bit more emphasis on the midrange and mid to upper bass because of its two 6SN7 tubes. I use the BC21 with a solid state amp so these attributes aren't over emphasized, but I do like their presence.
The newer BC21.1 uses two 6922s instead and should present music with a less pronounced hump in these frequencies. The redesign along with the available Shallco attentuator should also deliver a higher level of transparency and detail.
One thing though, if you opt for the remote with the BC21.1 instead of the Shallco, you'll be giving up some of those benefits. Also, 6922s are known for good detailed bass, while the 6SN7s may bloat it and round it a little.
My feeling is that the Blue Circle may add a little more to the sound than the Adcom, but whether or not you like its character I couldn't say. The Adcom should disappear better, and make its presence less felt.