Matching preamp to amp


Many have said that matching one component to another is important. So what do you look for in matching an amp (Cinenova) to a preamp?
clydemetz
Hi Kool. Yeah, It may be that the AI has a lot of gain. But its 1.2Kohm output impedance mated to the Aragon with 22Kohm input impedance actually works out to 18 times, so it's well within the 10 times guideline. I've heard people say the range is 10-100 times.
Kool39,
in cases with tube preamps you have enormous gain and output voltage to bring to the imput of amp. In this case you realy don't want the input impedance of the amplifier being too high since you will have much less volume controll capabilities from your preamp.
In case with passive preamp the philosophy stays near-same if you have high output voltage source. In my case I have passive/active pre with simple bipolar output stage that I switch sometimes when I play vinyl and turn off when I play CDs. I have approximately 0.5V out of my phono preamp with 0.5mV output cartridge and my VTL amplifiers have 0.55V input sencitivity(after recent mods). ON some records I feel lack of bass and have to switch the gain back-on and on some records it's plenty enough especially on 45rpms.
This is exactly what I have been trying to figure out, impedance matching. I am probably going to go with a pre and an amp from the same manufacturer, Blue Circle. The BC22 amp has an input sensitivity of 22kOhms, whereas the BC21.1 preamp is said to have an output impedance of 180 ohms, which translates into a 122:1 amp:preamp ratio.

Does this make sense to you? I'm not very technically knowledgeable, so please forgive my ignorance.

Thanks.

Max
While the guidelines above are generaly true, some manufacturers such as Rowland have different philosphies about impedance and "power matching".
Max,

I've owned the BC21 and BC22 for almost two years now and had no idea what the specs were!!! Obviously they match very well, and have a nice sound. If your specs are correct it creates an interesting conundrum for me because the preamp that didn't match with the Aleph 3 was in fact the BC21! Oh well.

If you get the BC21.1, it should have a sonic signature a bit closer to neutral [whatever that is] because they use 6922 tubes as opposed to the 6SN7s in the BC21. The BC21 has a very nice full bodied midrange and upper bass for those folks that like that. I do. ;-]

Unsound, what approach does Rowland take to power matching? Thanks.