Warner, I've only owned a tubed unit once so they're still new to me. When people refer to microphonics do they mean a sort of feedback distortion caused by loud music (sound waves) affecting the tube? Kind of how loudspeaker sound gets into a mike, gets amplified and starts a cycle like that?
Mating Tube pre's with SS amps
I'm about to buy either a Levinson 334 or Classe 200 mono's. I have a Mccormack RLD-1 pre. After many hours spent in these forum I've decide that a tubed pre will best suit my taste. All sources go through a Levinson 360S. The main reason for choosing tube preamplification is the holographic soundstage the good one's claim to acheive. I've also considered the Pass X1 for this reason. Another reason is that I've noticed many successful systems use this combination of tubes and SS. Now, for those of you who have chosen a similar path, with a neutral amp, can I expect to reap the benefits of tubes, the 3-D image, liquid mids, etc, while maitaining SS control and a degree of neutality over euphonics. I so want a tube pre to ruin the benefits of resolution the 360S brings to the table. Thanks.
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- 13 posts total
- 13 posts total