Which Solid-State Preamp under $7,000.00 New?


On the following list of solid-state active preamps under $7,000 new, or under $4,500.00 used, which is overall the most utterly transparent,least colored, balanced top-to-bottom, neutral, dynamic, open, and 3-dimensional? Which passes the signal with the VERY LEAST degradation to it?
1.ARC LS3
2.AYRE K-1x.
3.HERRON AUDIO HL-1
4.KLYNE MODEL 7LX3.5
5.KRELL KRC-HR
6.PASS LABS X 1
7.PLACETTE ACTIVE
8.SIM AUDIO P-5
Thanks for your responses!
daltonlanny
I have an additional thought to contribute. You also seek out a 3-dimensional sound. Well IMO, you are going to have a tough time finding that in any solid state pre-amp. You would probably be better off looking at some hybrids.
In response to Jmcgrogan2's comments:

1) I agree that it is one of the most neutral preamps, although I will be honest and state that I have not heard all of the ones on your list. The reviews I have read seem to support this statement.

2) My opinion is that when a preamp/amp is termed musical, it introduces colorations into the sound.
That being said, there is nothing wrong with being muscial or having colorations, if that is what you want. (I know, and have owned, several tube preamps that sound wonderful that have had colorations.) Your post, however, stated that you wanted the most neutral preamp possible.

If you want to introduce colorations into the system, I think you should consider some of the better tube preamplifiers. (i.e. CAT Ultimate, Hovland HP-100, ARC LS-25 Mk II, or a used ARC Ref. 2 Mk II, etc..) All of these sound very musical, and are every bit as good as any on your list, some are likely better if you are looking for a "musical" preamp.

I went with the Ayre because I was looking to reduce my noise floor, especially with my phono stage, and still get a very neutral and not clinical preamp. I got tired of living with the low level noice that tubes produce, even though I had a very musical preamp and phono preamp (ARC LS-2 & PH-3). If you are using a turntable, I highly recommend you give it a shot (along with the CAT Ultimate and the Hovland HP-100, all of which have very good phono sections, although the later two do not have remotes. In addition, I went with the Ayre, because I wanted to get a remote, so I could adjust the volume from my listening position.

My two cents worth anyway.
Good Luck in your search. It took me awhile to find a preamp that met my criteria (which was a little different than yours), just a couple of weeks ago. If you want, you can contact me in a few weeks to see what a more extended listening period does to my opinion.

PS One more thing. Why are you looking to buy NEW? Why not used? Let someone else take the depreciation hit. Typically you lose 1/3 the price just walking out the door, not to mention sales tax! If the unit is actually used for any period of time, the price drops down to half or less. I purchased my Ayre K1-X, with phono and remote for $4000, which is less than half the list price of $8,600. Just a thought.
Kurt_tank,

This isn't my thread, I only responded. Yes, I said the Ayre was the most nuetral, didn't I? If that's what he's looking for that's my reco. I am using a tube preamp (BAT VK-31SE), with no noise floor issues. It has more body (you may call it coloration if you wish) that makes many average to poor quality recordings listenable. Your noise floor issues may not be from the preamp. I didn't use tube preamps for years, because of noise. However, once I addressed power conditioning and ground loop issues, there is no noise problems anymore. FWIW, I'm using two dedicated 20A lines, with a Shunyata Hydra plugged into a PS Audio high current Ultimate Outlet, which is plugged into the dedicated outlet. I've also isolated digital from analog via the two lines, each with it's own dedicated, isolated ground. A MIT Iso-LinQ on my cable line, and viola, most tube preamps are as quiet as the best SS, but with more body and warmth.

Of course this is all subject to personal tastes. If Daltonlanny or you prefer detail and information retrival, that's your choice. I'm willing to sacrifice that last ounce of detail for musical warmth. Yes, it may be coloration, but if it makes a recording more pleasureable to listen to, it's worth it. Many recordings that I listen to are not recorded with a Audiophile label, and can make me grind my teeth with a very neutral piece of equipment. That's why I prefer tubes and analog. They certainly don't measure as well as SS and digital, but they sound better, to my ears.

However, it's up to you, you pays your money, you makes your choices. That's why I added YMMV (Your Mileage May Vary).

Regards,
John
Thank you all so much for your ideas and opinions.
I ultimately chose a used Pass Labs X 2.5 preamp.I am totally happy!WOW, this is a mind-boggling sounding preamp!
I 100% recommend this preamp to anyone!Easily beats the Adcom GFP-750 or Parasound PLD-2000 in my system!
Thanks again everyone!