I've never thought of a single component being musical -- as Kotta suggests, it's all in the synergy. The source systems have to have the right timing for anything right to happen later. The speakers have to reproduce seamlessly, as if the cross-overs weren't there. In between, the details and power need to be there so that, at the end, it feels as close as possible to someone sitting in the room singing to you. My view is that the amp's main job is not to color anything but to simply provide solid amplification. If the rest is right, musicality will follow (by the way, there's a terrific old thread on musicality you might want to peruse -- it had quite a few responses to it).
Musical Amps
This question might sound strange but what characteristics does an amp SS/Tube have to have to be considered "musical". I ask this question form reading the many posts through out the 'gon.
From the posts that I've read most members think very highly of Plinius Amps/Intergrated Amps. Now I know this sounds childish but why. Some don't consider Bryston amps to be very musical and yet PMC is parterned with them again why.
My current system is very simple:
Paradigm Studio 60
JoLIda 100 level-2 mod
Nad T762.
Many Thanks
From the posts that I've read most members think very highly of Plinius Amps/Intergrated Amps. Now I know this sounds childish but why. Some don't consider Bryston amps to be very musical and yet PMC is parterned with them again why.
My current system is very simple:
Paradigm Studio 60
JoLIda 100 level-2 mod
Nad T762.
Many Thanks
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- 8 posts total
- 8 posts total