Tube Amp Suggestions


I have had the audio affliction for about 10 years. I am finally ready to venture into the world of tube amps and would appreciate any ideas my fellow audiophiles might have. My current set up is theta basic II with a camelot uther IV going directly into a pass labs aleph 5 and audio physic virgo II speakers. All wiring is tara labs air 1. Budget is $2,000 to 3,000 new or used.

Thanks in advance for your thoughts.
sgunther
Ecclectique, don't expect a direct answer from Didactically. Always the same irrelevant answer, and he never responds by directly answering a question posed to him. Just redundant noxious waste that takes up space. I'm sure no one here knows what he's talking about, not even Didactically himself. Read all of his posts....always the same, always seeking justification as the "Bringer of the Ultimate Audio Truth".
I'd heard of Linkwitz (smart old me) and could even connect his name with that of Riley, except I always get them mixed up with the Fitzgerald-Lorentz contraction. Serves me right for reading sci-fi instead of hi-fi.

For Lirpa I had to do a search. Dr. E. Lirpa, right? Father of the wireless cable?

Other curious newbies check out Lirpa here

FTL travel buffs go here
Wow! This is like some Monty Python lost episode. I think Dida is actually Eric Idle (wink, wink, nod, nod).
Specifications are important; agreed. But, which specifications and at what point is the chase for numbers inefficient? Amp companies were chasing high power and vanishing distortion in the 1980s. Is there really any difference between .5% THD and .1%? I don't think so in the real world. Same thing with things rated past 20k; who can hear past 20K? Yes, I understand about harmonics and that is one reason I think analogue recordings sound better than 44.1 (or 48khz) recordings. I have done parallel live recordings with very good microphones and used a Nakamichi ZX9 and a professional DAT recorder. Guess what; when we listened to the tapes later EVERYBODY much preferred the cassette recording! It sounded nicer. Period. The digital has specs all over the cassette; the cassete sounded better.

There are quality tube amps with excellent performance and bandwidth; check out the Wavac amplifiers for one example.
I kind of apologize for starting this thread. Would not a hybrid amp with a tube input stage and a ss output stage capture the best of both worlds. A musical reference rm200 (which I believe is a hybrid amp), was suggested by someone early in this post. A used rm200 was offered on audiogon the other day but got snapped up immediately.

Anyway thanks for all of the comments.