Do Countries Have a "House" Sound

Zd542, neither could the doctor who worked in the different countries. It was after that that he researched it and found that despite the role that science plays in medicine, the different approaches all had some efficacy but none were the best. He then began to understand that the approaches to cures or remedies were deeply rooted in underlying cultural beliefs. They weren't necessarily correct but they greatly influenced approaches in research. One could say those beliefs guided them.

As far as I know, there is no definitive answer yet for why we have migraines and it is in these grey areas that cultural beliefs can dominate and mislead until proven otherwise. I found it fascinating and I wish I had remembered to write down the name of the book and the author.

You are not alone in questioning this as virtually everyone I brought this up with at work tended to raise an eyebrow or two. Some didn't even want to entertain the thought. That made me raise an eyebrow. :-)

All the best,
Nonoise

Cultural, political and geographical differences, mainly, I think. Take UK and Japan, for example. Both island nations with real estate at a premium. With traditional housing in the UK, not only do the rooms tend to be smallish, but the neighbors are necessarily close by and often many in number. The expectation is a way of life there to never be so inconsiderate as to be loud enough to be a nuisance to your neighbor; everyone is expected to do their bit in that regard toward getting along. It may just go as acknowledged, in part at least, as the glue that holds a society living under those physical circumstances together. Ever been to England? If you're passed by a motorcycle on the freeway, I can tell you that you will scarcely notice it, no matter how fast it's going - no louder than a sedan, every time! When that happens in America your blasted into the next lane by the thunder! Here in America we either maximize the flow of the mufflers or we take them off! Here, you might think of history's westward expansion in the US - Lewis and Clarke heading (for what indeed might as well have been the dark side of the moon) into the unexplored vastness that was the wilderness of this continent. In our tradition and with so much land for the taking, the peace and quiet of our neighbors who would be so few and far between possibly needed our last consideration...not to mention the amount of comparative lawlessness that went along with it all. But meanwhile, Japan was, up until the middle of the last century, a rather closed society that was centered around loyalty to an Emperor. And traditionally their homes had been constructed with partition walls made of rice paper - as with the UK above, perhaps not the most suitable environment for the most massive Dunlavy's and multiple high-watt subs...if you know what I mean.

For a while in the 70's in the US, there was distinctly an "eastcoast sound" and a "westcoast sound" when it came to bass as it related to speaker enclosure damping. The weastcoast sound became popular for a while and its sound was of a more prominent, rounder and "fatter" bass sound of the rock of that era...a trend picked up on by recording studios, as well as speaker manufacturers. But, the eastcoast sound was much closer to the sound of "critically damped" enclosures and was tighter and more accurate to include classical and jazz. That sound has since become, more or less, the standard bass "sound" here today.

If Japanese and English societies are so different from the US in ways that cause them to make audio equipment that's better suited for their own cultures, then why do they sell more products over here, than they do in their own countries?

I'm not saying that there is any 'lockstep' correlation between those factors and the gear sold, per se. Just that that those factors have tended to be in play, over at least the last 50 years or so. The international markets, too, have proliferated between countries/cultures over that time. We sell more to them, they sell more to us, in all things audio. Are they tweaking their sound to fare better in our markets, or is everybody's tastes now gradually changing and becoming more varied within borders due to a 'cross pollination' effect over the last few decades, as well? I mean the cross pollination effect from this social-media-driven, hi-tech, hi-hype, online world we're in. Since WWII, we've given the Japanese Elvis and jazz (jazz being something these days they seem to appreciate as a society more than we do), the Brits have given us the rock "Invasion", as we have given them the Hollywood version of the wild west, among other things. How much these kinds of things are working to break down those factors I mentioned above I can't really say. About all I can fathom from it is that the magazines I read on this topic back in the day did make mention of such things as different sounds from the East or from Britain, for example, but that it seems to go all but unobserved today.

Might be that the US population is 3 to 5 times as large.