Supratek Tubes and Tube Swappin' for Everybody


I will have a Supratek Chenin in my set up in a day or so. Since so many folks are rolling tubes around here I was hoping to garner a comprehensive list of everybodies favorite tube compliments. Be it NOS or NIB or WLATB (Whatever's layin around the basement)
Being that the "Deal of the Century" thread is a little more like a novel I figured this would be a good place to post questions and answers related to one subject of Supratek amps and pres.
On to the subject of me. I don't have immediate plans to swap tubes as I've figured that Mr. Maloney would supply us with something listenable for the break in period. But, since so many have reported such dramatic improvments I want to ask this question:
What is your favorite compliment for quietest gain and dynamics in the phono stage?
I will be using the Chenin exclusively for vinyl ( I don't have a CD player) and listen to loads of early rock and roll and Jazz bands, smaller jazz bands mostly, quartets and quintets. Some classical, the usual Beethoven and Mozart, but usually just a lot of loud garage rock.
Ok, now lets see what happens.
mc5baby
Hi Gang. Whopadeedo. You stated "you preferr to run your gear with the tubes that were designed for it". Are you stating the spec for the rectification duty of your supratek is only rated for an gz34/ar4 and the 6106 doesn't meet spec? Your metal based gz34 is a fabulous rectifier to be sure[yes I have one] however, there are more than a dozen substitute rectifiers that will meet spec for rectification duty in your supratek.Please sir, don't interpret this post as being derogatory. Regarding regulation tubes....Mick recommends a max of 1.5 amps for heater current on the regulators. Well in the real world, that .1 amp draw for the heaters will fall well within the tolerance on any cuircuit designers paramaters if one is using regulator tubes to smooth the ripple of the rectifier, regardless of what type of rectification tube type used. The 6106 is rather unique in regard to run in time, as it requires a ton more burn in time than any other rectifier of it's type. The 6106 mated with the 350b's is any thing but lean in character regardless of the speaker used. I have auditioned your very own Merlin's in my own room and I would never ever consider it as sounding lean in character by any stretch, even in my rather large sound room [ 34ft x 27 ft x 12 ft ceiling] Great speakers by the way! I can remember responding to Bwhite's post as well as others regarding this very same issue in the original preamp of the century thread. If your 6106 was new out of the box, be rest assured; that 1 week of playing time isn't any where near enough run in time on the 6106. Furthermore... there is no better rectifier/regulator combo[6106/350] for any of the supratek preamps . Yes, the 6106 is closer in spec to a 5y3 than a gz34 however,it "isn't" a 5y3 and there isn't a 5y3 type rectifier on the planet that sounds anything at all like the 6106 in the supratek or any other gear for that matter. Your reply to Jazzdude regarding the 5y3 distorting sooner than a gz34 may indeed be correct. That said: a 5y3 type rectifier is NOT a 6106, and the 6106 will "not" distort sooner than my metal based gz34. It's the very same analogy as saying the metal based gz34 sounds better than a mullard, amperex, sylvania,phillips gz34. Patience my good man, give in more time[much more] you will surely be rewarded!
I'll cook them a bit more. All three Bendix I have are NOS/NIB, so I'll give them a fair shake by burning them a couple weeks longer. For 6106 users, how long does the tube life last? When called to do 5AR4 duty, the life should be significantly shortened.

For all intents and purposes, the 6106 is very much like the 5Y3 in electrical operation. Sure, it's indirectly heated and sound better then any 5Y3 I know, but it's still very similiar to a 5Y3 in regards to electrical function. Thus, I expect it to behave much like a 5Y3 in a 5AR4 application. It has nothing to do with the 6106 being the best 5Y3-type tube. It's still a 5Y3-type tube called to do 5AR4 duties. The analogy goes: throwing in a metal base GZ34 in to a 5U4G circuit doesn't mean it will perform well simply because the metal base GZ34 is the best of its kind.

In any case, I'll give it more time. FWIW: I, too, don't think the 350B will likely cause any damage in Suprateks (although it can happen).
Whoopadeedoo - if you're using a Chardonnay, just disconnect your power supply from the line stage and turn on the power supply. That's all it takes to burn in the Bendix. I had mine running 24/7 for more than a week before it started to sound good.

While I really love the Bendix and what it does, I can imagine cases where it will not suit every system and every listening preference. At one point, I recall being very drawn in to the Gold Lion KT66 / GZ34 fat base combo for delivering the most seductive and involving musical experience. When listening, I realized that everything (tonally) was somewhat incorrect but I found I listened longer to the system.
What about the tube that just hangs under the cover, not mounted to anything, with just the wires holding it in place, located under the bottom cover of the Merlots?

If someone can instruct me how to transfer a photo from my C drive to this site, I'll be happy to share a few photos within a few days.

For now, let's just say that I was "less than impressed".
Jes45 - If you have an axe to grind with Mick then tell him about it. There is nothing we can do to correct any problems you may have. From my past experience with Mick he has always taken care of things that needed fixin.