VAC Ren II, VAC Phi, or ARC Ref 3?


Finally, the two cold solder joints in one of my Rowland 7M amplifiers have been fixed. Just a simple 2 minutes soldering job at home, thanks to a kind live phone consult by Jeff himself. Now the system is back purring like a kitten.
Great say you, but. . . the problem is that now I have fallen totally prey to Upgraditis Furiosa, the most pernicious and 'wife threatening' form of Audiophilia Nervosa.
I listen mostly to classical--lots of chamber, vocal, Early Music, Baroque, Romantic, some large orchestra, lots of cello and other strings--on a system that I have lovingly put together over the last 20 years: EAD T1000, AT&T glass C-core glass wire, EAD D7000 Mk. 3, AudioQuest Quartz RCA, Audio Research LS2B, Gutwire XLR, Jeff Rowland 7M monoblocks, Cardas Golden Ref PCs on 7M, Cardas Golden Ref speakerwires, MagnePan 3A speakers.
The sound is sweet, lush, with a large if slightly unfocused soundstage, sometimes slightly veiled, somewhat soft at the bottom, can sound glorious in the midrange, good if not spectacular at the top. Much better at small ensembles than at full orchestra, where the sound stage can collapse and full strings and brass often display signs of brittleness and two-dimensionality. But, so much for self-criticism. Now what to do?
I intend to migrate towards a fully balanced system, with redbook and SACD capability and a tube linestage. I will start upgrading at the source and linestage points. The source will be an Esoteric X-01 or an upcoming APL NWO-1. But in this thread I'd like to discuss options for a new linestage. My requirements are an open and detailed, sweet sound, accurate with minimal coloration, with very good but not necessarily overwhelming macro-dynamics, an excellent three-dimensional and accurate soundstage, superior microdynamics and subtle nuance. The linestage must sound great out of the box--after breakin of course: not only after going through many cycles of NOS tubes musical chairs. All of this from a company with a stellar track record and reputation in quality, dependability and pre/post sale support. I listened to the VTL 7.5 and found it to be too soft. The BAT VK51SE sounded too dark. Then I listened at length to the VAC Ren II, which seems to embody all of my requirements. I have not heard the VAC Phi as yet, but it is in the running by inference. Nor I have listened to the ARC Ref 3, although I intend to: Ref 3 is in the running by reputation.
Suggestions? Opinions? It's your turn guys and girls!
guidocorona
Hi Ethann

You heard my Ref 3 and it is dead quiet. I am not sure what the issue is with respect to the Ref3 which you auditioned.
I had no hiss even before I had the 4 bypass caps added
Hi Oneobgyn, I dont know what the problem was but I was never able to resolve it. Perhaps it didn't have enough gain for my system. I didn't notice a hissing issue with your system but I think your dac has more gain than my phono/cartridge combo.
One more update on my continuing saga. Linestage decision time has come. After months of pondering I have selected the ARC Ref 3 over VAC Ren II or Phi. Given my listening preference for classical chamber music, I have reasons to believe that the Ref 3's just slightly lush sound may be slightly more of my liking than the VAC family's admittedly greater nimbleness, and broader treble extension.
For WAF considerations that may become apparent -- at least to some married audiophiles -- in the next sentence, I have postponed order of the Ref 3 by a few weeks.
I have finally replaced my venerable EAD T-1000 and DSP-7000 Mk. 3 digital combo with the long coveted Teac Esoteric X-01. I received the unit only two days ago and am currently breaking it in. Even the unbroken X-01 already appears to justify fully my falling for it last year in NYC. I expect the unadorned elegant beuty of its sound to complement nicely the relative richness of the Ref 3.
Congratulations on making this key decision. Wow, what a huge improvement over the LS2. You should be a happy camper for quite a long time now.