music , mind , thought and emotion


There is not a society on this planet, nor probably ever has been, which is without some form of musical expression, often closely linked with rythm and dance. My question is less concentrated on the latter two however.
What I am pondering boils down to:
What is music and what does it do to us
Why do we differentiate music from random noise so clearly and yet can pick up certain samples within that noise as musical.
By listening to music, we find some perhaps interesting, some which we would call musical. What differentiates "musical music" from "ordinary music" and this again from "noise"?
In a more general sense again:
If music has impact on us, what is the nature of our receptors for it. Or better: Who, what are we, that music can do to us what it does?
What would be the nature of a system, which practically all of us would agree upon, that it imparts musicality best?
And finally, if such a sytem would exist, can this quality be measured?
detlof
I think that certain things are hardwired and certain things are learned. The hardwired pieces are appreciation for rhythm and melody. Maybe it comes from reacting to the rhythms of nature -- surf, wind, etc. In any event, moving your body to a rhythm seems very natural. Humans are not alone in moving to a beat -- maybe it's a survival trait that helps tribes bond. Speaking of survival, there is a certain rhythm to mating (i.e. the act) so that may be related to the need for this hardwiring. Melody seems like a natural thing since babies enjoy it so much and it is soothing. Why would it be linked to our survival as a species and be hardwired? I'm at a loss. Maybe it's related to language itself and the cadence of the spoken word -- every language has differences in this so it would be imperative for humans to perceive these differences since very subtle variations have different meanings. Again, it's a survival of the fittest thing -- but here, "fit" means having an inate ability to perceive subtle differences in tone and rhythm.

Beyond that, I think much is learned. For example, the enjoyment of the subtlties of an orchestra or appreciation of the nuances of a jazz bass. Different cultures and groups focus and emphasize different aspects of this. By the way, this is not to say that even this is unrelated to survival. For example, a more analytic mind may pick up micro detail that is very enjoyable for that person. The analytic ability is important for the species -- some have more than others. The more sensory mind may pick up the macro mood or "meshing" that is very enjoyable for that person. Again, the Emotional IQ ability is important for the species and again, some have more than others.

In terms of musical systems -- I would suspect that the abilitiy to convey most of the information accurately is a key. Most of the information is in the midrange. So, that's a start. Beyond that, it may depend on whether people enjoy tha macro vs. micro, etc. I do believe that the macro tends to prevail for musicality (by the way, there was an excellent threas on that a year or so ago).

Whew! I'm taking a deep breath now and firmly saying that all of the above is IMHO. Very philosphical and interesting question. I'm looking forward to a long and interesting thread here.
Your thread title explains it all. Music comes from the mental exercise of tapping ones emotions. If what you hear connects with some small part of your emotion it will, at the least, capture your attention momentarily. Should a composer/artist tap into the motherload of your emotions you will be captivated. This same phenomenon occurs with poetry and traditional art.
Detlof, There is no "what is" (matters or light/dark, etc..) only "how is". You can't define "it" (the one Asa talked about) in the higher definition (except/accept human def., languages). You only recognize "it" when you see "it" (in this case hear it).
When one listens to the music, "it" is all music. When one not listens to the music, "it" is all "one". Once one passes "that", one is a "free" man. Think of it as water and waves. When one are sad/happy (dark/light) the waves is high. When one are happy/sad the waves is lower. Ask oneself this, when one in not sad, not happy, where is the wave? Once one get that, all one's burning questions is answered! Music's, noises, "light/dark", "mirror", "beneath, it is not", "beneath is not"; all these are tools, and only tools they are...
One is a potential non-audiophile, then...Because; all one listen is music, then. There are no stages, no states, and no levels. Because, it there are stages, there are higher/lower stages. If there are states, there is higher/lower states, levels, etc. Only musical...or not musical.
I am writing all this. Asking for 3 cents in return is not too much, is it not? :-)
Detlof to me music is a mystery,my relationship with it has been a lifetime love affair however to quote Van Morrison

"It ain't why.......................It just is"

As for systems well yes I suppose there may be aspects that may enhance our enjoyment but at the basic levels you are talking I don't think it matters.
If there is a piece of music that touches you then it touches you however you hear it.
To boil it down to nothing.
Imagine you lose a close friend or split up with your partner and you hear their favourite song.
Do you really think it matters if it's on a $10 radio,a boom box or a state of the art sysytem?
I like hi-fi but I only use to enhance the experience of listening to music.
What effect that music has is down to the music and/or me.