I've owned and listened to friends SACD players over the last few years, the one I owned having been moddified extensively taking it to a level well above the stock ( and quite good)unit. My previous impressions mirrored many of the above, it was good, often better than redbook, but not THAT much better. Throw in the software issues etc, and I guess I was less than enamored. Lost most of that gear in a spousal parting of the ways, and over the last year or so have re-geared, and in the process had the opportunity to listen to, and subsequently purchase the Meitner DAC 6 and transport. I have been reborn. This is like nothing I've ever heard. THIS is what I had in mind when I first heard of SACD: transparent, resolute, great bass without any of the digital "boom" that even the best redbook players had, musical and an ease of presentation that only vinyl had previously offered. Incredible micro-dynamics, and an ability to listen deeper into the music than I had previously experienced. No digititis, no fatigue, and seamless. I don't hear any problems with the upper registers, but then again I probably lost a good bit of hearing in that frequency range in the last year of marriage. And quite possibly Detlof has better hearing, I certainly respect and value his impressions. DSD recordings do sound a tad better than anolog sometimes, but not always, it seems to be recording dependent. Some of the DSD's sound so good it's like listening to a direct feed. So I really can't disagree with many of the above posts in their less than enthusiastic embracing of SACD, I was there. What I can say is my perspective has changed significantly after having heard this format through the Meitner. I hear the argument all the time that redbook is many times limited by the hardware, and redbook playback can be superb if the player gets it right. I think the same can be said of SACD. The software may not be the rate limiting factor. The difference between vinyl playback on a middle level tt and something such as the SME 30 or Rockport is amazing, and not because the mid level tt is not good. It's just very apparent how much more information the SME or Rockport extracts. I've found my recent experience with SACD to be similar. I'm not trying to convert anybody here, just relating my experience as a response to the initiating question. YMMV.
SACD - what gives?
So, I finally purchased a dvd player, which also happens to play SACD's. So, being all excited, I run over the to local Best Buy to grab some SACD,s. Much to my surprise, it seams that every SACD that they had (about 200) was a remaster of an anolog recording. I also checked amusicdirect.com and just about everything they carry ( over 700) is also remastered. So, my questions is: If SACD is such an advanced format then why is everything re-issues of older recordings? You would think that they would be issueing direct digital recordings. Now, I know why this format is not catching on. Let me put this in perspective: I spend about a thousand dollars on a SACD/DVD player so I can listen to re-issues of the complete Rolling stones catalog. No offense to Stones fans, but I aint paying for these recordings for a third time (LP, CD). Any insight or comments?
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- 33 posts total
- 33 posts total