Operas... Any fans?


Hi all,
I'm starting to get into Opera (I actually have season tickets to the Opera de Montreal)...

I would like to find some well recorded and well interpreted opera on CDs. The only problem is that I find that most CDs I purchased have a poor recording (or they sound like they were recorded from the 250th row).

Does anyone have any suggestion as to what opera CDs I should try getting (or any better labels than other ones)?

By the way, I am looking for complete operas or CDs with multiple opera passages (sorry, I don't know any better english words).

So in short, I'm looking for must have CDs...

So far the operas I really liked were:

Madama Butterfly
Rigoletto
Turandot
Lakmé
Carmen

Any of the above operas or any other operas worth while listenning would be appreciated...

Thanks ahead
lgregoir
Wagner's Das Reingold (London, Sir George Solti) is an excellent recording that Stereophile recommended. The music and singing are beautiful:"...the full power and weight of a symphony orchestra are still delivered with tremendous impact." I feel the quality of the recording is very important in opera - you need to hear all the nuances. Nothing compares to a live performance. I saw Das Reingold at the Cincinatti Opera several years ago, the singing was nowhere near the quality of the Solti, but the sound and music were so gorgeous that I didn't care. On the other hand nothing stinks worse than a poorly performed opera.
While I am an avid classical music and Jazz afficionado, I have a love of opera but my knowledge is less than other classical forms. I am more knowledgeable about concertos and pieces relating to violin, cello, and piano. I do have a great admiration for some of the operas that I am familiar with, and that being said, my favorites do not seem to get the accolades of many others as what I look for in operas is musicality, melody, and performance skills based on my own judgement. In live opera, the extravagance of the sets and costumes as well as the opulence of the opera house itself is unforgetful and a joy in itself.

Most opera versions that are currently thought of as the 'best' are older versions dating to the LP era but are now sold in Cd format. Perhaps this is a tribute to the performers who have recently faded from the scene or are now at the end of their long careers. The recent crop of new stars have yet to earn their accolades and are seldom yet performers in full operas.

My favorite opera is Bellini's Norma. The musicality of the entire program is stunningly beautiful and the demands of the singing role of Norma are the utmost in the entire opera repertoire. I remember an article in either High Fidelity Magazine or Stereo Review which was in praise of Jesse Norman in a new recording of varid arias and the article mentioned that Ms. Norman was preparing herself for the singing of Norma. The article must be about twnety years old, and Jesse Norman has yet to have a recording of Norma. The role is so demanding that most singers do not wish to jeopordize their careers on just one role.

I have almost all the versions of this opera originally on LP and with CD versions, but there is a recent version originally on CD and it is on EMI Classics, 7243 5 55471 2 5, and featuring Jane Eaglen as Norma with Ricardo Muti as conductor, and recorded live in the 1994 Ravenna Festival. I never heard of Ms. Eaglen until this recording, and her performance is truly outstanding. In my opinion, she surpasses the earlier performances of Maria Callas and Joan Sutherland. In the later Callas versions, Ms. Callas has more fault than virtue in her voice, but her virtue can allow you to forget her faults, but the Eaglen version still is supreme to me.

My next beloved opera again for its melody, musicality and peformance is Verdi's La Traviata with Montserrat Caballe, Carlo Bergonzi, and Sherrill Milnes on RCA 6180-2-RCA. Ms. Caballe fulfills her role in this opera magnificently, but I do not accord her the same praise in her singing of Norma.

I truly recommend the above, and I would also like to hear from you as well as other Audiogoners on their report after listening to these versions of Norma and Traviata. As for me, all else in opera is a notch below those two operas with those sublime versions.

Happy listening.
i'm a Britten/Pears fan but they don't seem to be for everyone.

Given your list I second Puccini's LaBoheme, with Freni/Pavarotti/Karajan
Bizet's "Pearl Fishers" was the opera that I enjoyed the most. Barber of Seville is a fun one too. I agree with rphscv about "The Ring"...as a newbie however, I found that seeing this opera live in it's entirety can be a bit overwhelming as it is actually presented in 4 seperate operas usually over a 5 day period with each segment being quite lengthy 3hrs+ from what I remember. Still, my parents who are quite the opera buffs (travel the world to see operas) saw the Ring Cycle countless times. If you ever get the opportunity, they told me that the best place was in Bayreuth sp? (sounds like buyroit) where the venue was originally built for Wagner.
spoke with my dad...he suggests puccini's Tosca as does Jacpiii and also recommends Rosenkavelier (sp?) by Strauss

just his 2cents...but if there ever were "Deadheads" of opera...my parents were such