Regiolanthe-yes Blur do extremes which is part of their charm to me however if you like this record you might actually prefer 13 their previous one-it has some elements of the extremes in their music also but is more atmospheric overall and arguably better "ballads" as you term them.
Records of the Year 2003
As in any year there are a few disappointments amongst the records you buy.
The three most notable for me were the well liked Jayhawks record which was too lightweight and irritating for these ears and the production was well overcooked.
The new Massive Attack record also seemed aimless and the choice of Sinead O’Connor on vocals didn’t work for me. Finally despite 3 great songs the Metallica new one was a grave disappointment, terrible production too with especially badly recorded drums.
I’ve picked 15 put them in some kind of order but I don’t feel particularly strongly about it.
As always this is posted with the emphasis on music with a mention on the audio aspects for Audiogon members.
DAVID SYLVIAN-BLEMISH-An independent release more challenging in parts than his previous solo works but has a few beautiful moments. Nicely recorded with trademark vocals to the fore. Due out on vinyl soon.
JOSH ROUSE-1972-Spoiled only by a few bad tracks this is a record I think many Audiogon members would enjoy. Good song writing meets the odd Beach Boys style arrangement, good quality commercial music with a bit of substance. Nice neutral and natural production.
THE STROKES- ROOM ON FIRE-Second record from highly rated NY band. I saw this band live last year and they are the real deal despite the hype. However their late 70’s sound struggles to go anywhere really new on this record, the main criticism I would aim towards the vocals and lyrics which second time around sound like a band repeating themselves. Great in parts there are some nice guitar twists and turns but ultimately starts to lose focus towards the end of the record. Production is quite basic sounding and doesn’t help the overall feel of the record.
JANE’S ADDICTION-STRAYS-A pretty competent come back record from a band who married epic rock with a slightly funky feel and a singer and lyricist with unusual intelligence and insight. The sound and arrangements are a leaner take on the more epic nature of their early nineties work and Farrell’s vocals aren’t for everyone but still a force far superior to most new rock/metal bands. Production is by Bob Ezrin and again is neutral and well recorded.
THE MARS VOLTA-DELOUSED IN THE COMATORIUM-Highly acclaimed concept record by the main ex- members of At The Drive In whose intense hard rock and intelligence also brought great acclaim. Wonderfully powerful in parts the record eventually struggles due to its length. Many of the songs have quite dramatic dynamics which do not help the flow of the record. All the same well worth a listen if you want to hear some intense intelligent new music. Production is partly by Rick Rubin and stops just short of being overcooked.
RYAN ADAMS-ROCK N’ROLL-The planet’s most gifted young songwriter has been criticised by critics and fans alike for this record. The songs evoke everybody from The Replacements, Oasis, and T-Rex to The Smiths and early U2! Stepping away from his alt-country roots this is still a good listen. A handful of the tracks are excellent but it would have benefited from a little editing. The production fits the melodic but rocky material.
BONNIE PRINCE BILLY-MASTER AND EVERYONE-Will Oldham produces 10 very sparse low key folk songs which again upset some fans that much preferred the songs live. Production is almost obtuse in terms of being closely miked but there is something mysterious and intriguing about the whole experience.
MOGWAI-SONGS FOR HAPPY PEOPLE-Instrumental post-rock which has turned up in various UK TV ads since it’s release. Atmospheric but mostly tuneful, this is the record they’ve always threatened to make. Production values are good with some nice string arrangements.
DAVID BOWIE-REALITY-Two decent records in a row from Bowie prove there is life in the old diamond dog yet. A more commercial set than its predecessor it benefits from being reasonably focused at 49 minutes .A good range of music that goes from energetic to moody and well worth a listen if you’ve gave up on him. Production is by Tony Visconti again and he does a reasonable job of presenting quite busy arrangements at times.
STEELY DAN-EVERYTHING MUST GO-I wasn’t a big fan of 2AN but this is more like it to me.A decent addition to their almost flawless legacy despite the odd duff track.
Ironic, sarcastic, intelligent with a flawless if tad sterile production.
NICK CAVE-NOCTURAMA-Cave covers most aspect of his career on this record, dark angry rock and plaintive piano based ballads. Overall perhaps then it’s no major surprise it’s a little disjointed but when it’s great, it’s really great. A good balanced production that captures The Bad Seeds versatility.
ZWAN-MARY STAR OF THE SEA-I was never a big fan of Billy Corgan (Smashing Pumpkins) but this a record full of great commercial rock. Upbeat but without being lightweight this record continued to give me enjoyment throughout the year. Guitars and melodies throughout however the production could have been a little clearer for me.
RADIOHEAD-HAIL TO THE THIEF-Not too dissimilar to their previous 2 records in that it marries Electronica and rock. A record that has made much more sense after seeing them live last month where the more out there things worked better. However having said that there is still a fundamental flaw about their recent music that is very difficult to define. Another record that would have benefited from a few of the weaker tracks being removed. Maybe they think too much and certainly they don’t manage to execute all their ideas perfectly in a recording sense. Production is fantastic in parts sounds gimmicky in other areas as did Amnesiac to my ears.
BLUR-THINK TANK-A very eclectic record that is both experimental and commercial in equal parts.
Modern fragmented but sometimes beautiful wistful music. As always they’ve taken care how the music sounds and the production values are high.
RYAN ADAMS-LOVES IS HELL PARTS 1&2-The record Universal wouldn’t release as his official new record has been released as two separate EP’s.
This quite a downbeat record but as always with Adams it’s the quality of the songs that shine through. There are 15 tracks on the two EP’s and it could do with 2 maybe 3 less but the best work on this record probably eclipses anything else released in 2003.
Evoking everybody from recent Wilco, Jeff Buckley and even Dylan-Adams puts his stamp all over these beautiful songs with great vocals and clever arrangements.
To my ears Adams is on another level musically from any of his contemporaries only his self-destructive tendencies can stop him.
Try to pick up the copies without the bonus tracks which are frankly rubbish and break the flow of the music.
The production and arrangements are excellent throughout.
The three most notable for me were the well liked Jayhawks record which was too lightweight and irritating for these ears and the production was well overcooked.
The new Massive Attack record also seemed aimless and the choice of Sinead O’Connor on vocals didn’t work for me. Finally despite 3 great songs the Metallica new one was a grave disappointment, terrible production too with especially badly recorded drums.
I’ve picked 15 put them in some kind of order but I don’t feel particularly strongly about it.
As always this is posted with the emphasis on music with a mention on the audio aspects for Audiogon members.
DAVID SYLVIAN-BLEMISH-An independent release more challenging in parts than his previous solo works but has a few beautiful moments. Nicely recorded with trademark vocals to the fore. Due out on vinyl soon.
JOSH ROUSE-1972-Spoiled only by a few bad tracks this is a record I think many Audiogon members would enjoy. Good song writing meets the odd Beach Boys style arrangement, good quality commercial music with a bit of substance. Nice neutral and natural production.
THE STROKES- ROOM ON FIRE-Second record from highly rated NY band. I saw this band live last year and they are the real deal despite the hype. However their late 70’s sound struggles to go anywhere really new on this record, the main criticism I would aim towards the vocals and lyrics which second time around sound like a band repeating themselves. Great in parts there are some nice guitar twists and turns but ultimately starts to lose focus towards the end of the record. Production is quite basic sounding and doesn’t help the overall feel of the record.
JANE’S ADDICTION-STRAYS-A pretty competent come back record from a band who married epic rock with a slightly funky feel and a singer and lyricist with unusual intelligence and insight. The sound and arrangements are a leaner take on the more epic nature of their early nineties work and Farrell’s vocals aren’t for everyone but still a force far superior to most new rock/metal bands. Production is by Bob Ezrin and again is neutral and well recorded.
THE MARS VOLTA-DELOUSED IN THE COMATORIUM-Highly acclaimed concept record by the main ex- members of At The Drive In whose intense hard rock and intelligence also brought great acclaim. Wonderfully powerful in parts the record eventually struggles due to its length. Many of the songs have quite dramatic dynamics which do not help the flow of the record. All the same well worth a listen if you want to hear some intense intelligent new music. Production is partly by Rick Rubin and stops just short of being overcooked.
RYAN ADAMS-ROCK N’ROLL-The planet’s most gifted young songwriter has been criticised by critics and fans alike for this record. The songs evoke everybody from The Replacements, Oasis, and T-Rex to The Smiths and early U2! Stepping away from his alt-country roots this is still a good listen. A handful of the tracks are excellent but it would have benefited from a little editing. The production fits the melodic but rocky material.
BONNIE PRINCE BILLY-MASTER AND EVERYONE-Will Oldham produces 10 very sparse low key folk songs which again upset some fans that much preferred the songs live. Production is almost obtuse in terms of being closely miked but there is something mysterious and intriguing about the whole experience.
MOGWAI-SONGS FOR HAPPY PEOPLE-Instrumental post-rock which has turned up in various UK TV ads since it’s release. Atmospheric but mostly tuneful, this is the record they’ve always threatened to make. Production values are good with some nice string arrangements.
DAVID BOWIE-REALITY-Two decent records in a row from Bowie prove there is life in the old diamond dog yet. A more commercial set than its predecessor it benefits from being reasonably focused at 49 minutes .A good range of music that goes from energetic to moody and well worth a listen if you’ve gave up on him. Production is by Tony Visconti again and he does a reasonable job of presenting quite busy arrangements at times.
STEELY DAN-EVERYTHING MUST GO-I wasn’t a big fan of 2AN but this is more like it to me.A decent addition to their almost flawless legacy despite the odd duff track.
Ironic, sarcastic, intelligent with a flawless if tad sterile production.
NICK CAVE-NOCTURAMA-Cave covers most aspect of his career on this record, dark angry rock and plaintive piano based ballads. Overall perhaps then it’s no major surprise it’s a little disjointed but when it’s great, it’s really great. A good balanced production that captures The Bad Seeds versatility.
ZWAN-MARY STAR OF THE SEA-I was never a big fan of Billy Corgan (Smashing Pumpkins) but this a record full of great commercial rock. Upbeat but without being lightweight this record continued to give me enjoyment throughout the year. Guitars and melodies throughout however the production could have been a little clearer for me.
RADIOHEAD-HAIL TO THE THIEF-Not too dissimilar to their previous 2 records in that it marries Electronica and rock. A record that has made much more sense after seeing them live last month where the more out there things worked better. However having said that there is still a fundamental flaw about their recent music that is very difficult to define. Another record that would have benefited from a few of the weaker tracks being removed. Maybe they think too much and certainly they don’t manage to execute all their ideas perfectly in a recording sense. Production is fantastic in parts sounds gimmicky in other areas as did Amnesiac to my ears.
BLUR-THINK TANK-A very eclectic record that is both experimental and commercial in equal parts.
Modern fragmented but sometimes beautiful wistful music. As always they’ve taken care how the music sounds and the production values are high.
RYAN ADAMS-LOVES IS HELL PARTS 1&2-The record Universal wouldn’t release as his official new record has been released as two separate EP’s.
This quite a downbeat record but as always with Adams it’s the quality of the songs that shine through. There are 15 tracks on the two EP’s and it could do with 2 maybe 3 less but the best work on this record probably eclipses anything else released in 2003.
Evoking everybody from recent Wilco, Jeff Buckley and even Dylan-Adams puts his stamp all over these beautiful songs with great vocals and clever arrangements.
To my ears Adams is on another level musically from any of his contemporaries only his self-destructive tendencies can stop him.
Try to pick up the copies without the bonus tracks which are frankly rubbish and break the flow of the music.
The production and arrangements are excellent throughout.
- ...
- 60 posts total
- 60 posts total