How do you 'listen' to new music?


Coming new to classical and jazz music (many years ago) I was overwhelmed. I'd sit and listen and except for the simplist of pieces, full of melody, I just didn't get it. I found it necessary to devote a lot of time and effort to get to an appreciation of the music. Too much like work!

Some where along the line I decided not to work so hard. I'd buy a piece and just let it play as I did other things (as I am doing now) and letting myself become accoustomed to it. When I finally no longer found it indecipherable, and was finding it pleasant/comprehensible, I would then sit and really listen to it. If after playing it a few times it still didn't do anything for me, I'd put it away for a few years and then drag it back out.

Is this pecular to me? How have others made the cross over into jazz and classical music?
newbee
Oh I forgot to mention:

"The Joy of Music" by Leonard Bernstein is a great book that talks about Music including Jazz and Classical.

Rob
I have had the tendency always to stick to music I am familar with, but of late even more so. I see it as a problem that is a symptom of a more general approach to life, so I have been determined to attend to it. What I have done is make a point when buying music to buy something I feel fairly assured I will like with the "penalty" of buying music that I am not the least bit familar with. It is a discipline, and I have to say I have stumbled across some music that I have really never come to understand and do not particulary care for. Less often I have come across a recording that totally suprised me and eventually became a favorite. The pay off here is that I would seek out other music that would fall into the same catagory and a whole new area of interest and involvement as developed as a result. Oddly enough, it has been true that the music I am quick to disregard upon first listen is assurdly the music I will most love after an initial exercise of repeated play.On the other hand,the music I have absolutely loved initially will usually come to bore me after the newness has worn off. I am not sure why this works this way, only that it has and does. as well, I have learned not to rid myself of music I have been unimpressed with initially because it seems I will come around to it again when the occasion arrives that I do. I believe it all has to do with timing- another kind of synergy where my mind and heart and events in my life have intersected and given that recording some meaning-perhaps revealed some meaning that had been previously absent. The result is I have a collection based on appeal rather than merit. It has not made for an impressive list of recordings, but what little I have has made me very happy overall. I admitt I have had to move from the desire to be more open minded to the actual effort of being open minded.It has been slow going, but I am pleased to say I do actually manage it and has had what I consider a positive effect on my general attitude and approach towards other areas of my life.
Tim,

I think most people are like that. One nice thing these days is that you can download a song (or sample) and test it out before you buy a CD. In the past it was just hoping the CD was good without any idea what was on there unless it was on the radio first.

I justify downloading music through file sharing programs in order to listen to songs that are on the CD. I then erase them (seriously) after I've decided to buy the CD or not. The only factor left is the sound quality. That's the only chance I take unless there is a writeup online about that.

With used LPs, it's just taking a chance. Who knows what I'll find, whether it's worn out, scratched, or badly recorded. But given the used price of LPs, getting one good one out of 3-4 makes it worth it.

It does take time with new stuff, but I'm like you as far as not having a huge collection. The stuff I have I really enjoy.

Rob