Recommended BLUES recordings

The Mississippi Fred McDowell double album on Capitol.

For purely instrumental blues,you have to have Miles Davis' "Kind of Blue" on Columbia. There are also some re-issue versions as well. William Clarke's "Blowin' Like Hell" on the Alligator label and Roy Gaines "I Got the T-Bone Walker Blues" on Groove Note are also enjoyable. The Muddy Waters mentioned above is excellent. Also,just popped into my head- Sonny Boy Williamson's "Keep it to Ourselves" and the Don Euell Quartet "Yellow Dog Blues" . You could probably order all this stuff from Acoustic Sounds in Kansas at 1-800-716-3553. Enjoy! Nothing's better than good Blues!

For high NRG Chicago blues; Buddy Guy's "Damn Right I've Got the Blues" is great with lots of guitar fire power-- his version of "Mustang Sally" is killer, and BG is a living legend. For a softer sound, but still "Chicago", try Otis Rush's "Lost in the Blues". I also really like Koko Taylor's music, but it's much more "vocal" than instrumental. Happy Listenening. Craig.

With due respect to El34, Miles Davis's album "Kind of Blue" has no blues on it. It may FEEL bluesy, but blues is actually a vocal form characterized by an "aab" rhyming scheme. The primary form used on this album, which made it unique at the time it was recorded, was the use of the modal form (groupings of 3-5 note chords using several different scales, such as Dorian, Corinthian, etc.) Bill Evans, the featured pianist, was experimenting with modal forms for jazz improvisation. I am not familiar with any purely instrumental blues recordings, although recordings of early blues artists tend to be more instrumental than contemporary recordings. Big Bill Broonzy, Mississippi John Hurt, and Brownie McGhee are good examples of delta-style blues guitarists. If you want to check out some recent artists that feature a fair amount of instrumental work, you might like the album recorded by Drink Small for the Mapleshade Recordings label; Ronnie Earl and the Broadcasters album "Ballads and Blues"; and some of Stevie Ray Vaughn's work. One other idea: look into the recordings done for the Folkways label in the 1930's and 40's. They are available from the Smithsonian Institution, and are fabulous treasure trove of authentic blues and folk music.

Misikdoc is right, most of the blues is vocal based unless it's blues based jazz. As far as blues being an aab vocal form i would say that it's better defined as some permutation of a I, IV, V chord progression based on a major scale and the dorian and mixolydian modes thereof, though the vocal field call roots of the blues can never be denied.. The use of 3 to 5 note chords is not confined to modal music nor is it a defining feature. Modal music tends to have a static tonic over long time intervals and the harmony is implied during improvisation throught the use of modes of the scale defined by the tonic. I don't think corinthian is a mode (scale) in any western music i have ever heard of. That said, look into Ronnie Earl's Guitar Virtuoso in Europe for all instramental blues..real good stuff. Ronnie also did a great album with Pinetop Perkins and 2 other guys..i don't remember the title but search out the album it's worth it. The cover has the 4 guys on it with ronnie holding a resonator guitar For that matter anything with pinetop playing on it has proven to be good, roomful of blues did an early album with pintop that is also real cool. Duke Robillard is another great guy to check into and a good bit of his work (especially on after hours swing session) is instrumental. If you like the more swinging version of the blues you might as well check out Gatemouth Brown...a true living legend . Good luck on your search and remember da blues is a good thing