Classical Music Review


We already have an experimental "Jazz Review" thread. These review threads can serve to compile our own small catalogue: I will try to do this for classical, if the thread picks up (help is welcome!).

In order to simplify reading & compiling, I propose some ground rules for posting that can be fine-tuned as we go along (or abandoned, if we feel restricted). I'm borrowing from Abstract's Jazz thread and modifying accordingly:

*Please change the sub title to read: {Composer}, {work
title};
*CONTINUE onto the 1st line: {main performer(s),i.e.
soloist/conductor/orchestra abbreviated},
{performance /sonic rating}.

This way, readers won't have to expand unless interested in the specific piece.

*Pls keep each post to the music stated in the subtitle. If
you are answering another post, again, pls keep the
musical reference in the subtitle... alternatively, do pls
use different posts for different pieces.

*Performance and sonic ratings on a 1 - 10 scale. In the
body write a short review and at the end put in all album
information (catalog number, label, etc.) so that other A-
goners can easily find it for purchase.

As "charity starts @ home": I will post some of my favourite perf's of Beethoven (piano concerti, violin) this W/E.

Thank you all in advance!
gregm
This recording is spectacular. This is the first classical recording on M*A recordings. All of M*A recordings are brilliant. They capture the essence of the instrument, which is so important because much of the work is done on world music with instruments we might not be accustom to.

I love this composition and it is difficult to write a review without comparison to Glen Gould's performances. Suffice to say, this captures the instrument so much more realistically (and doesn't have any humming going on) that I find myself sinking into the performance. Eto Ema's performance throughout is technically superb, but lacks a little on the performers signature to the piece, which is why I gave it a 9. That might be positive to some people, but I tend to prefer individual emotion of the performer--their own signature, so to speak. Gould certainly gives us that, but yet I still prefer this recording.

The piano is one of the most difficult instruments to capture, probably due to all of the harmonics. Todd Garfunkle of M*A uses a simple 2 mic direct to DAT, and has done a magnificent job of capturing this vintage 1903 Steinway D. As an owner of a 1878 Steinway B, I know what it should sound like--and it does. This is technically the best recording of a piano I've ever heard. Available on both vinyl and CD.
My previous post the numbers are backwards. It should read 9, 10: 9 for performance and 10 for sonics.
A hapsichord version to supplement the piano. Hantai's playing is vigorous and rythmical (not as fast as one by van Asperen). I find the playing very good technically -- but also very musical. Hantai gives us a hapsichord performance that is alive, rather than soporific.
(Opus 111 OPS30-84 //1992, maybe a new version out now).

Abstract, thank you for getting this rolling! 1878 Steinway!!! (drool, etc)
Regards.