The finest technically recorded album. LP or CD

Viridian is "dead on" with his comment about the Charlie Byrd D-to-D recording on Crystal Clear. When I was a high school student in suburban Maryland in the late 1950's, I took some guitar lessons from Charlie Byrd, and heard him perform live many times at his regular gig at the Showboat Lounge in Washington, DC. I know the sound of Charlie's guitar very well, and the Crystal Clear LP is so realistic that it is startling.

There are some other D-to-D recordings that also have amazing fidelity: some of the big band recordings on Century Records; the recordings of the L.A. 4 on the EastWind label (owned by Yasohachi Itoh, who is now producing jazz LP's on the "EightyEights" label); many of the Sheffield Records titles (although not all have great music); and the limited edition D-to-D LP's on Concord Jazz of the "Great Guitars" trio (Charlie Byrd; Herb Ellis; and Barney Kessel).

My Opinions:
Best Live Rock LP - Hands down - "Paul McCartney Unplugged: The Official Bootleg"
Best Studio Rock LP - Again, no contest - Roger Waters's "Amused To Death"
Best Studio Folk/Rock CD - Tie between John Hall's "Recovered" & The Roadbirds "From The Wilde"
Best Remastered CD - By THE master, Steve Hoffman - Phoebe Snow's first album "Phoebe Snow"

Honorable mentions to LPs "Stardust", Steve Milller's "Born 2 Be Blue", Willy Deville's "Miracle" and Dire Straits's "On Every Street"

Wow, there are lots of really well done albums to choose from. I'll stop now. :-)

Firin' up the old LP 12 as we speak,
Ed

Weiserb, sorry to disagree, but the MFSL gold CD of "Madman Across the Water" SUCKS! If you hear this album on a DCC vinyl pressing, you just will not believe the difference in fidelity! This is not a vinyl vs. digital or bad master tape issue. I have 3 other E.J. CD's on MFSL ("Honky Chateau", "Goodbye Y.B.R.", and "Tumbleweed Connection"), and they all sound quite nice. Someone really "f**ked the pooch" when remastering "Madman"! In general, MFSL was hit or miss with many of their CD's and LP's. Some sound excellent, others are sonic turds! DCC (the ones mastered by Steve Hoffman) are better sounding than MFSL. I have two gold CD titles released on both MFSL and DCC (Queen "A Night at the Opera" and 10CC "The Original Soundtrack", although this title was never available as a general release, just a few test pressings with no J-card; something with licensing issues). It's a "no brainer" for both titles...the DCC copies sound SO MUCH BETTER, and I don't mean by just a little bit!

If SACD recommendations are allowed, I'd have to nominate "Live Recordings at Red Rose Music, Vol. I." This is a disc of minimalist recordings (no electronic gimmickry) made in the Red Rose store in New York City of unamplified instruments in pure DSD (Direct Stream Digital--the native SACD format).

This recording is head and shoulders above any other "little shiny disc" I've ever heard: the quality of the sound is in a completely different league, and the difference is obvious from the very first note!

One caveat: while the audio itself is mind-boggling, it is essentially an "audiophile" recording (one you might not purchase for the music itself, although the music is mostly pretty good). But if you’ve been dubious about the merits of SACD--and who wouldn’t be, considering the vast majority of the PCM dreck that’s been released so far--you MUST check out this disc!!

Don't mean to sidetrack the thread, but I have to comment on Viridian's observation about live broadcasts:

Technically, as close as you can get to live with the exception of live FM broadcasts which are not subject to the violence done to the music by any storage media at all.

I used to think the same thing, but have had to revise this idea after talking to a broadcast engineer at our local public radio station. While live broadcasts are certainly not subject to degradation by any storage and retrieval scheme (analog or digital), I was surprised to learn that at least in the case of remote broadcasts, the audio feed is relayed to the studio via high-quality ISDN [Integrated Services Digital Network] telephone lines. And even if the broadcast were to originate right in the studio, in most cases the signal is then relayed to the transmitter via ISDN.

I am not a broadcast engineer, so would welcome comments from anyone more familiar with these matters, but it seems to me that even though a live broadcast is able to evade the whole storage/retrieval bugaboo, what we are likely listening to these days (maybe not in days of yore) is audio that has been digitized and reconverted to analog at least once!