I feel as many (most?) reviewers do: That tube amps emphasizing even order harmonics (that are "consonant" with the music) doesn't BEGIN to explain the positive aspects of a tube amp...BECAUSE most all tube amplifiers DON'T JUST have higher even order harmonic distortion; they have MORE of BOTH ODD AND EVEN order harmonic distortion (than do ss amps, usually). And no, TRANSISTORS DON'T SWITCH (completely) ON AND OFF, and don't do it at all in a class A circuit. Any class AB circuit's output devices will switch on/off to some degree, WHETHER IT'S TUBE OR SOLID STATE. One should not dismiss ALL solid state amps until one has heard them all in one's system. I think the flaws with solid state (when they exist) have more to do with what a higher (than a tube amp's) slewing rate does when it's not controlled well enough. IT OVERSHOOTS THE SIGNAL, etching a false "glare"/"grain" onto the resulting waveform. This is evident when a square wave test is done, when you can see obvious overshoot. Most tube amps round off the corners of a square wave, lending a more "rounded" quality to the music. ALSO, all these guys touting the Sony SCD-1 need to realize that it doesn't even have a discrete output stage...it has op-amps!!! My CD50 has HUGE BIPOLAR OUTPUT DEVICES THAT RUN IN CLASS A, so it can easily mop up the floor with an SCD-1 when playing CD's "only"...besides the fact that it doesn't need a linestage, and that it's output stage is "beefier" than many stand alone linestage's outputs...
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- 98 posts total
- 98 posts total