Here's How I Make My Equipment Racks


In response to a previous thread, here's how I make my
equipment racks:
List of equipment: 3/4" thick MDF cut to desired shelf
size
(4) 3/4" diameter 6' threaded steel rods
3/4" nuts and washers (8 per shelf)
Drill a 3/4" hole in the corner of each shelf in exactly the
same place. I do this by scribing a line with a square 1 1/2" inch in and using a nail set to punch a hole where the lines intersect. A drill press works great to drill the holes so they are all straight and true. Now that you have
a hole drilled in each corner of each shelf, simply screw
the whole thing together, adjusting each shelf to fit your
gear. Use a square to make sure your first shelf is straight, and measure each one likewise. If you do this
correctly, your rack will sit straight and level. If you
need to level it further, buy (4) 3/4 rod connectors, which
are about 3" high, and screw these into the bottom of the
rod and use them to level it. I paint the steel rod using
Krylon Industrial enamel (flat black looks best), and paint
the shelves to match your decor. This makes a very solid,
heavy audio rack. Total cost is about $40 for the steel
rod, $15 for the nuts and washers (about $1.00 a pound)
$20 for the MDF, and $5.00 worth of paint for a total under
$100. I've made several racks this way and have used the
same method to make CD racks.
Dave
Ag insider logo xs@2xdave43
Thank you very much, Ken!

We can only really keep what we have by sharing it...

(I don't know if the above statement makes sense in English: "Sólo podemos conservar lo que tenemos en la medida que lo compartimos con otros.")

Regards,

Francisco
Wham !!!! Thanks for taking the time to "step up to the plate" Ken. Your post was quite detailed and TRULY offered insight as to how to get "something for nothing" (almost). The fact that you had the courage to mention that the Ikea design had similarities to your more expensive Neuance shelves shows that you aren't afraid to tell the truth. Even if it may come at some personal expense. Kudos and hats off...

As to Dave who started this thread, PLEASE don't take offense to my comments or some of the others. I too have done EXACTLY as you have done. Only by playing with various racks and materials was i able to learn the difference between them. One might not believe the difference that a rack can make until you experience it first hand. Your willingness to help others and provide a basic design for those less initiated is to be applauded. As you mentioned, the results that you achieve with this "homebrew" design compares to others for dimes on the dollar.

As to the "project" that i'm working on, let me give you some background. Here are some of the criteria that i was looking for when i came up with this "plan".

1) I wanted a rack that was versatile in terms of adjustable shelf height. I've never found any "pre-built" rack that offered appropriate spacing for the components that i end up running.

2) I wanted a rack that was rigid in construction. I do not like ANYTHING that is not stable.

3) I wanted a design that did not make use of the shelves as being directly anchored to any part of the frame i.e. the shelf should not be a "stressed member".

4) I wanted shelves that were strong yet low in mass. Heavy shelves tend to "deaden" the sound and rob the dynamics, harmonic structure of the music being reproduced i.e. they lack "prat".

5) I wanted a rack that ALL shelves were isolated via "spikes". Most "high end" racks only isolated the top one or two shelves.

Given the above info, i found NOTHING that was mass produced and met ALL of those requirements. Target and other similar designs did not have variable shelf spacing, most of the shelves were not "isolated" via spikes, etc... Threaded rod racks typically made use of heavy, high mass shelving materials, the shelves were directly anchored and part of the frame structure, etc... I was stuck between a rock and a hard place with nowhere to go but build my own.

I stumbled across a Premier design that looked like it had potential with some "tweaking". Premier was closing them out and a local dealer just happened to have a few on hand. As such, i bought all of them that they had at their two locations ( 3 four shelf units and one 6 shelf ). When all is said and done, i have 18 shelves to play with.

The basic design looks VERY similar to a Target rack but built in a "modular" form. Dimensions of the square tubing "shelf frame", the wooden shelves, etc... are identical to a Target from what i can tell. The major difference between the Premier and Target is that instead of having fixed height with welded risers ( Target ), Premier chose to use various length risers to accomodate different component heights. To achieve this, Premier welded flanges to the four outer corners of each "shelf frame". Each flange has a 1/4" diameter hole drilled in it. They then use hollow metal tubes of various lenghts with a thin threaded rod running down the center. The hollow tubes are primarily for cosmetics as it covers the threaded rod. When the overall rack is fully assembled, you tighten down locking caps on top and bottom. This squeezes the hollow tubes up against the top and bottom of the flanges of each shelf frame to "compress" the rack together. In stock form, the frame is NOT as solid as a welded design. On the other hand, it did offer more versatility and still allowed one to pick and choose shelves while keeping them "free floating" or "isolated".

This is not to mention it is WAY cheaper from a manufacturers standpoint in that they can now ship the rack "broken down" in several small packages. The Target type rack is "welded" & "fully assembled", which makes it WAY more expensive to ship.

In order to achieve what i want, I intend to use the individual "shelf frames" of the Premier anchored directly to the threaded rod. Each "shelf frame" will be locked in place with a nut above and below each flange. As such, the frame should not twist or flex in the least once leveled and tightened down. While this is no different than how most threaded rod racks anchor the shelves, i am NOT anchoring the shelves themselves. I am only anchoring the square tubing frame that the shelf rests upon. I can then use whatever shelves that i want and simply drop them into the rack frame. All of the shelves are "free floating" courtesy of upturned spikes. Speaking of "spikes", i'll have the bottom of the threaded rods screwing into downward facing "points".

As such, i will have achieved all of the design goals that i was looking for. Flexibility of shelf height, ridigity of structure and isolation for each shelf. My questions to Ken ( and others ) are as follows:

1) How do you think this will work ? Am i wasting my time & money ? High / low points of a design like this ??? Please be BRUTALLY honest. I can take it (at least you guys won't hear me whimpering....)

2) What diameter threaded rod would you recommend for the risers ? Thin and lower mass or larger and heavier ??? I can go anywhere from about 1/4" to 3/4" diameter by drilling out the flanges.

3) Should i use the same threaded rod for the three racks that i'll need for this system ? One rack will house my low level components ( Tuner, CD system, TT, Cassette, Preamp, Electronic Crossover ) while the other two racks will be holding three amplifiers each ( tweeters, mids, woofers for the left and vice-versa for the right ).

Any / all comments welcome and appreciated. Sean
>

IKEA*lyte addendum #2-
if one chooses to use the Lack coffeetable as a base module, you'll need to relocate the rear legs of each shelf module to accomodate the narrower profile of the coffeetable(end table measures about 21.5" in depth whereas the coffeetable is about 18" deep). The excess can be cut off with that face placed to the rear for cosmetics(veneered if you're anal).

In leiu of spikes for the shelf modules, one can get 80-90% of the performance with even less hassle, tooling and crafting by using round-headed screws(allen,phillips or torx) threaded into the leg bottoms.The screw itself then becomes the adjusting mechanism.The primary requirement is that a very small contact area is maintained which provides a bottleneck for floorbourne energy entry. A rounded shape is nearly as effective as a spike *in this application*.You will still need to use "proper" adjustable spikes or cones for the interface between the floor and reference base module.

Ken
Dave43- My apologies for making you my unwitting victim in my soapbox crusade.I appreciate and admire your helpful and generous contributions to this forum.

Ohlala-
THAT was "tangling"?"Better get those teeth sharpened.
;0)
btw- about the 3 point thingus- be a bit careful here. 3pt is superior with 3 point components but if the component uses 4 feet, you'll be subjecting the shelf/platform to the possibility of "waffling" at the unsupported corners.

Best,
Ken
Rushton,
The "IKEA*lyte" construct is largely intended to do much of the same type of damping and isolating that Neuance was designed to achieve.
Neuance ideally should be used in the context of a spike decoupled metal stand or support such as Target,Standesign,Apollo, original Sound Organisation, Apollo,Premier,Cornflake Shop,Mana,Solidsteel,etc.
Still,the addition of Neuance isolation platforms will take the isolation benefits further and with greater refinement.
Neuance shelves can be easily adapted to supports such as the "IKEA*lyte", Quadraspire and even the dreaded Sanus,Salamander and your mama's AV cabinet by drilling 4 holes thru the shelving and tapping a thread to accept a set of cone-point setscrews which I make available to my customers at no charge for just such applications.
The Neuance platform would then rest upon the points of the upward pointing setscrew tips and can be adjusted with an allen/hex key wrench from below to level the platform.

Ken