Herman,
Thank you for a detailed report on this subject. However, I am not convinced of a few issues made here.
Issue 1: I wired a phono cable in both SE and Balanced configuration to feed an Aesthetix Io phono stage. This was a SilverAudio SilverBreeze cable. There was indeed a gain difference which I compensated for to get the same level. In some cases, at this stage in a system, this extra gain can be very valuable. But there was also more low-level detail with the balanced cable. I do not know if this was due to the nature of the cable in this configuration or the Io's inherent design but in my case, it was very clear of the sonic improvements. I have been eager to try this with the Manley DAC into my line stage but I do not have RCA and XLR cables of the same brand/model to do a fair test.
Issue 2: The situation where noise rejection from within the interconnects is achieved, I find this valuable in itself. My system is in a very noisy environment, sump pumps, cable company transformers, furnace, etc., and any kind of rejection simply has to be of value. My pre-to-power length is 20' and so perhaps is not a big issue, but again, until I can compare an RCA vs. XLR cable of the same brand/model, the jury is still out for me on the benefits or not here. Perhaps the issue of "filtration" is something I need to attend to, but why do I need to go through so much effort to condition my power? Should not components be designed to resolve this for me?
Issue 3: I am unsure of your conclusion here. You point out that in theory the two phases of a balanced circuit can not be equal. So if a product has been designed to its best ability to have two "matched" phases, I would think that grounding out one of these and running single-ended should be an improvement. Afterall, one of the compromised phases is out of the loop and the power supply should ultimately have more headroom as well. It most likely is not as good as another product of the same price that was a single-ended design, but the balanced product with one phase grounded should be better than with both phases if there is indeed no benefit to the 2-phase implementation. And yet, I suspect the engineers at ARC, BAT, Aesthetix would not think so of their products or they would have dismissed the balanced implementation and focused their attention to putting all their money into single-phase designs. Of course this is what CJ, Lamm, CAT and others have done. What we all would need here is to hear the comparisons of these company's designs throughout their R&D efforts when they made these balanced vs single-ended decisions at those times.
Issue 4:
You award balanced designs 3-strikes because the conversion from single-ended is not perfect. I think we all can agree that the world of audio electronics and music reproduction is not even close to perfect. But we are also in an analog world. So do we assign 3 strikes to digital recordings because the analog to digital conversion is not perfect? As a long time phono fan, I have come to like the sound of much digitally recorded music.
I understand that many products have XLR connectors, step-up transformers, etc., to give the user a false claim of balanced benefits. But I simply have to believe that there are benefits of truly balanced designs for home audio or a number of talented audio engineers would have abandoned this by now. And in the few limited comparison tests I have made, there is indeed benefit.
John
Thank you for a detailed report on this subject. However, I am not convinced of a few issues made here.
Issue 1: I wired a phono cable in both SE and Balanced configuration to feed an Aesthetix Io phono stage. This was a SilverAudio SilverBreeze cable. There was indeed a gain difference which I compensated for to get the same level. In some cases, at this stage in a system, this extra gain can be very valuable. But there was also more low-level detail with the balanced cable. I do not know if this was due to the nature of the cable in this configuration or the Io's inherent design but in my case, it was very clear of the sonic improvements. I have been eager to try this with the Manley DAC into my line stage but I do not have RCA and XLR cables of the same brand/model to do a fair test.
Issue 2: The situation where noise rejection from within the interconnects is achieved, I find this valuable in itself. My system is in a very noisy environment, sump pumps, cable company transformers, furnace, etc., and any kind of rejection simply has to be of value. My pre-to-power length is 20' and so perhaps is not a big issue, but again, until I can compare an RCA vs. XLR cable of the same brand/model, the jury is still out for me on the benefits or not here. Perhaps the issue of "filtration" is something I need to attend to, but why do I need to go through so much effort to condition my power? Should not components be designed to resolve this for me?
Issue 3: I am unsure of your conclusion here. You point out that in theory the two phases of a balanced circuit can not be equal. So if a product has been designed to its best ability to have two "matched" phases, I would think that grounding out one of these and running single-ended should be an improvement. Afterall, one of the compromised phases is out of the loop and the power supply should ultimately have more headroom as well. It most likely is not as good as another product of the same price that was a single-ended design, but the balanced product with one phase grounded should be better than with both phases if there is indeed no benefit to the 2-phase implementation. And yet, I suspect the engineers at ARC, BAT, Aesthetix would not think so of their products or they would have dismissed the balanced implementation and focused their attention to putting all their money into single-phase designs. Of course this is what CJ, Lamm, CAT and others have done. What we all would need here is to hear the comparisons of these company's designs throughout their R&D efforts when they made these balanced vs single-ended decisions at those times.
Issue 4:
You award balanced designs 3-strikes because the conversion from single-ended is not perfect. I think we all can agree that the world of audio electronics and music reproduction is not even close to perfect. But we are also in an analog world. So do we assign 3 strikes to digital recordings because the analog to digital conversion is not perfect? As a long time phono fan, I have come to like the sound of much digitally recorded music.
I understand that many products have XLR connectors, step-up transformers, etc., to give the user a false claim of balanced benefits. But I simply have to believe that there are benefits of truly balanced designs for home audio or a number of talented audio engineers would have abandoned this by now. And in the few limited comparison tests I have made, there is indeed benefit.
John