Can Anyone Please Walk Me Through This?


Hello Everyone.

There have been several threads that touch on the subject of lossless files for the Ipod, including my own posts describing my frustration "tagging" ordinary WAV files.

Although I still can't seem to find the right information in any one single place, an Audiogon friend recently told me that this whole business was a piece of cake with the latest version of Itunes.

Using Itunes or EAC (my old reference standard) could someone please tell me how to do the following in a Windows 2000 environment:

1) "Rip" individual tracks and/or entire CDs into my computer's drive in a true lossless or WAV format for maxium fidelity with no concern for storage space and

2) Do this in a way that preserves the track information, or at least permits easy "tagging" which will also transfer to the Ipod and

3) Extra credit: anything that enhances the ease and convenience of creating a library and/or contributes to maximum audiophile flexibility for other devices or formats or exportation to an external DAC.

Fingers crossed I might soon enjoy maximum fidelity for my big gig Ipod, even if I can only store a few CDs worth of content.

Thank you very much.
cwlondon
My comments regarding sound quality comparisons were based upon listening through my bedroom system (Panasonic XR45 receiver, Sony SM7 speakers with a Apple G5 computer via optical cable as the source).
UV, we may be in violent agreement. I seriously doubt Dibrom was opining to people in the same category, in terms of critical listening and in terms of marginal value, as most of the people in this forum. You are talking to an audience that feels they can tell the difference between brass cones and mahogany cones under their CD player. That would not be me.

And, I have listened. I don't recommend alt preset insane, for example, b/c it doesn't make sense to me based on my hearing and the cost/benefit I see out of digital compressed audio. Before undertaking the not-so-small task of ripping over 1K CDs, I did some pretty extensive testing.

On the other hand, I'm probably not your average mp3 listener. Everything piped through my system is stuff I've ripped off of my CDs and run through LAME. In my study, my computer feeds a Theta Pro Basic IIIa through a Edirol USB to coax converter, from there it goes into an ARC LS-16 II, into an ARC D400 II into a pair of ProAc RS2s. In my main rig, the mp3s go from an Audiotron via coax to a Theta Casablanca into a pair of ARC VT100s into a pair of ProAc 3.8s. In those systems, I *can* hear the difference, and I can hear the difference between alt preset extreme and a real CDs--the mp3s are, in those systems, strictly for background music and convenience. I will admit, however, that in my garage, where an Audiotron feeds a little Henry Kloss table radio, and in my bedroom, where a cd30 feeds a little Nakamichi clock radio, and in my iPod, I manifestly *can't* tell the difference. Frankly, I might be able to tell the difference in the iPod with the ER6s, but those things make me nauseous. Haven't really spent much time trying to tell the difference in the stereo upstairs, which is somewhere between the extremes.

B'sides, UV, I wasn't trying to elevate or bash mp3s, alt preset whatever. The point I was trying to make was that its a compromise. Listen, and put the marker where you want in terms of sound quality versus file size. You raised a valid point that I hadn't thought about with respect to battery life and WAV files. I'm guessing, in fact, that you would have the same problems with alt preset insane for the same reason.

For me, the compromise happens to fit nicely at alt preset extreme. Even with my (now small) 20GB iPod, I've got more tunes on tap than I ever want to be forced to listen to on an airplane. Gives me sufficient choice until the batteries run out, and that is longer than I want to fly anyway. Frankly, if I was really freaky, I'd probably advocate fiddling with all the command line args to get exactly what you want. That is also my compromise--I don't want to fool with it, and I'll trust the coding community to give me as optimal audio quality under a specified set of parameters for compression under the alt presets.

YMMV.
Haha, love the comment about brass cones and mahogany cones:) When stated that way, yes, I am in complete agreement with you.

Also, in your defense, I have not been able to compare APS and APX as extensively as you on multiple systems so I'm quite happy to take your word for it. What is the typical difference in file size between those two?