Okay, I'll quit saying that I fully believe / agree with everyone stating that they hear differences. I'm also more than happy to grant anyone who has the opinion that CDRs sound worse and that's just a fact of life the right to do so. As any of this pertains to audio, I'm just an enthusiast and like to discuss the various topics. In my professional life, I run a software development department responsible for the collection, processing and delivery of financial information from and to around the globe. Centrally, we handle transaction rates into the tens of thousands per second, and experience data rates in the tens of megabits per second of data. If we miss a single trade on Intel, we hear about it from the clients. If we were to screw up a price and deliver it to clients, we're in deep doo doo. All of this done in an environment that is loaded with every acronym audiophiles have come to fear. What's more, when something does go wrong, we can find exactly where and what went wrong and preclude it from happening again. The same concepts apply to getting a price from the East Timor silk futures market and delivering it Scandanavia as do to reading a CD or CDR and delivering it to a DAC even though the engineered solution is different. For anyone who's curious about the handling of digital music and is wondering how best to spend their money over the next few years, these are important concepts to understand. I'm totally convinced that in some short number of years, the notion of current transport technology will be obsolete, replaced and bettered by something costing a small fraction of a current high-end transport. In the meantime, that solution doesn't exist today, and being an audio enthusiast I want the best I can have today while understanding that money spent today is money that I could spend tomorrow.