Are tone controls worth a second look ?



Are tone controls still prohibited from ''high end''audio?

Seems to me that with all of the advances in electronic design, they starting to make sense again.

In my humble opinion, tone controls are not unlike adding, or substracting sonic flavor to music reproduction. Like switching interconnects or speaker cables that will affect the sound in X or Y manner.

I am not reffering to a technical comparison between tone controls and cables, but rather that their effect could be similar. When you think of it, cables have their own colors. And we pay dearly for this without the opportunity of a ''tone defeat'' button.

What do you think?
sonicbeauty
Hi Cyclonucman, The Beatles did not even tour that much after 1966. One major reason is they were not able to play allot of the studio tracks live. George Martin was sticking things on the record that left the band scared to try.
Good tone controls are great. However, they are by no mean short-cut nor remedy to achieving a great sounding well balanced system--this basic, needs to be worked on first as priority. Better controls of today in form of equalizer/linearizer do not change the tonal balance of the system. Nor do they add any kind of detectable distortion or coloration in it. What they do is correct less than stellar recordings (at their exact deficient frequencies) rendering them to be much more enjoyable to listen to. Purist or no purist, this to me is what this hobby is all about.
Sonicbeauty, I responded to your question. There have been many responses to my answer.
For me, the equipment is a vehicle to reach my destination which is "the soul of the music".
Since the definition of "audiophile" places the emphasis on the equipment as opposed to the music; maybe I am the one who is not a "genuine" audiophile?
There is an easy way to have the best of both worlds. simply buy a seperate 8 or 16 channel mixing board like live bands use and wire it in so you can use it or completely remove it from the curcuit. By the way, when you are listening to a recording, you are not hearing the music as it was played but you are hearing what the sound engineer mixed together from many different sessions.
Firm believer in tone controls. Thinking of looking at more sophisticated frequency adjustment options. There appear to be some long standing companies out there. Has anyone had any experience with products from Klark Teknik? Would also be interested in hearing what products beyond amplifier / preamplifier tone controls that others are using.