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Is There Big Trouble Brewing?

It seems there is some trouble in the recorded music industry. Sales of recorded music has fallen 5% in 2001, 9% in 2002 and the global forecast is for a drop of 12-14% in the year 2003.

Regulators, especially in Europe have blocked mergers between companies including Universal, Sony, Warner, EMI and BMG, and seem to be holding firm on their positions. The music industry feels that consolidation may be the answer to many of their woes. I don't know if I can agree with this.

Do you remember when you purchased an album that contained 12 or so songs? Usually 70-80% of those songs were great recordings with quality content. Now if you find 10-20% of the recorded content to be of any quality you are doing well.

The recorded music industry likes to blame piracy and the world economy to be the culprit. Could it be the lack of quality in conjunction with out of proportion pricing? Many companies feel that format changes may provide the diversity for multiple income streams. Is that why they continue to introduce recycled music in the new formats?

I myself feel a great resentment towards the music industry. I am sick and tired of paying high prices for low quality and I'm sure many of you feel the same way. If the industry would like to see the new formats have a higher acceptance factor, don't you think they would do so by releasing new material on the newer formats?

I don't get it. Is there anyone out there willing to embrace the new formats so that they may listen to recordings that they have been listening to for the last 30 years? Will the industry ever wake up and realize that the consumer is disgusted with the bill of goods we are presently being sold?
128x128buscis2
buscis2's avatar
buscis2 OP
468 posts
 
I beg to differ Hueske. The information sources I utilized before posting this thread was totally devoid of any information provided by RIAA. Information sources such as Wall Street Journal, Washington Post, Investors Business Daily, The World Economist, etc. probably do not have any vested interests in RIAA so I would suspect less of a bias/slant towards the industry.

I am sure that "newsgathering" by the aforementioned would contain some information from RIAA, but I would not be sure that the RIAA input would be all that they would use.

To the contrary, I noticed a "you made your bed, now lay in it" slant, if any.
seandtaylor99
1,262 posts
 
Thanks Buscis. The first company that I worked at out of college had 5000 employees on a single campus, and there were many active hobby groups .. pretty much like college with a salary ! Anyway, one of the groups ran a vinyl library (CD's were just starting to take off) and you could rent an LP for about 50 cents a week. I started working for the club cataloguing albums ...we had over 7000 albums !!!! I'm sure the RIAA executives would have tried to close us down had they known that people could rent good condition LPs and record them to cassettes. I recorded hundreds of albums to cassettes. In the execs. short sightedness they would probably villify me for killing record sales.

But here's the thing ... for every album that I ended up liking I probably went out and bought 2 new LPs. Those that I didn't like stayed on the cassette. If I really like an album then I've just got to have the original, and the club got me into many many new artists who I would never have otherwise have heard about, since they don't attract any airplay in the UK (where I was at the time). I must have bought over a hundred albums directly as a result of that library.

Hence my suggestion that lending libraries (or virtual libraries, if we use internet downloading) could be the saviour of the industry, not its demise. I don't condone companies like napster (jumped up techies stealing intellectual property), but at the same time how slow can the RIAA execs be ? Look at apple's new service ... I'm sure it's going to be a screaming success.
ozfly
887 posts
 
Well said Sean. Copying has been around for a long time. It's easier now but pricing is, IMO, the real culprit. I do appreciate the companies that let you listen (at least to portions) before you buy. That's usually what reels me in. Finding great new music makes my day! I'd experiment and buy a lot more if the cd's were $3.99 to $6.99.
buscis2's avatar
buscis2 OP
468 posts
 
But Sean, are you considering the quality and quantity of music then vs. today? I find that many albums from that era contained much higher quality material for the majority of the album. I find that today, its' the exact opposite.

For example, back in that period, musicians had a longevity. Bands were around for 10,15,20 years. It's seems today we have many more "one hit wonders", "overnight sensations" that last literally, overnight.

Sit and listen to Beatles/Abbey Road, Yes/Fragile, Elton John/Goodbye Yellow Brick Road, etc. One song after another, great music. That is what motivated me to buy more from that particular musician. I find today that the albums today consist of a lot of "filler" from musicians that never even make a second album.

I'm I that far off?
seandtaylor99
1,262 posts
 
Buscis ... you are preaching to the choir! I was born in 1969, so my prime music buying years (assuming we start at age 14) were 1983 onwards. Looking in my collection you'll find tons of 1960s and early 1970s material, maybe 1 or 2 1980s albums, and then a slew of 1990s albums. I actually think that things are better now than they were during the 1980s, but I blame the synthesizer for that, more than the record companies.

Also I'm not sure if there's less talent now, just that record companies (like the rest of US and UK industry) is hooked on the quick buck, and so it's easier to fabricate bands for pimply teenagers than it is to nurture the next Beatles, Queen, Led Zep, Elton John etc etc. Unfortunately they are discovering that pimply teenagers like to get their music for free ... hah !

You might like to try some of Paul Weller's solo albums ... self titled, Wildwood, and Stanley road are all classic albums from the mid 90s, and will stand up to ANY Elton John or Beatles album. But does anyone promote Paul Weller in the US ? I'm certain good stuff is out there, but I'm also certain it will not be nurtured by the big record companies, nor the increasingly corporate radio airwaves.
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