Clueless, ears and even brains are not as different as you think; you exaggerate it.
To hear what the microphones heard?
Do you think that's the ultimate goal of sound reproduction? Or to hear what the ears would've heard if they'd been there at the time and place of the event? Not quite the same thing in reality. Perhaps our systems and rooms should be able to compensate the loss somehow without distorting the original picture. Your thoughts? Let's consider only unamplified acoustic instruments.
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- 7 posts total
- 7 posts total