$25k vs $200k


Can any of you audiophools relate? For the longest time, (maybe 10 years), I wouldn't go to a high end audio store (living in NY, this was, at first, very hard to resist) to listen to, what I knew, would be better sounding systems. I feared that after listening to a superior system, I wouldn't be able to go back and enjoy my humble audio, after a tympanic tango with some, true, audio greatness. Well, quite the contrary, since I found out, (this is what you do on a rain delay Yankee game, with boring basketball on the Olympic station, and not a book to read in the house) that listening to systems much costlier, and better (for the most part) have given me a deeper appreciation for my system, especially related to cost vs sound quality. This was, perhaps, most reinforced, with my last go 'round at Sound by Singer. Any audiophools out there have similar experiences? peace, warren
128x128warrenh
I was at Sound by Singer not too long ago Andrew was stuffing his face, I have never seen anyone inhale a sandwich that fast before. No wonder his ads now cover 2 pages in stereophile. As he is really rounding out to be the Biggest Man in Hi-End Audio.

Anyhow salesman Roni (Not much of a People Person once I only mentioned a 15G Budget) after I only wanted to listen to the JM Labs Micro Utophia Be, went ahead to let my Fiance, & I listen to the Utophia Grande Be first, driven with the new 750wpc Vtl amps, & Dcs gear. Afterwards listening to the Micro's in a hole in the wall size of a listening room, driven by a BAT 300x intergated wasn't the same.

As we left I asked her if on our next visit to NYC we stay at the Motel 6 instead of the Plaza, I could budget for the Grande's? Heck Honey Motel 6 even leaves a light on for you. The answer was still NO!
Boy Warren, you're going to alienate yourself from half the agon community with this thread.

The scenario you present is certainly not always the case but yes it is rather easily attainable. Well, maybe not easy.

But it requires much time, dedication, and perhaps most of all knowing what works and what doesn't thru much trial and error.

-John
Warren, I however did NOT return home to enjoying my system any LESS, or feeling it was SUB-SINGER!


Frank, would you believe the last time I was at Singer was to hear the Micros, as well? Tiny room, I know. Not enough room to really let those babies breathe, but still, I loved 'em. Later, I heard the Jmlab Altos with some serious electronics, and was able to come home to my baby, without a problem. I begged, but I couldn't get him to play the Grandes. It would cost me the price of the Micros, I'm sure, to get a listen.
I've said it many times, I know...and that's that "It all comes down to BALANCE!"
I've worked in 4 ultra high end salons, as well as 2 audio/video chain stores (higher end ones at that). And in that time I've come to realize that MUCH OF THE TIME, systems are either "down", in a constant state of "change" and fluctuation of gear combo's, and/or are "ill-set up" to begin with!
Many many many times the gear in an audio showroom is NOT MAXIMIZED, or the stuff just doesn't go well together. I've 2channel complete systems consisting of Wilson Watt Puppies, driven by Krell or Audio Research, Nero, whatever, with some high end digital front end and Class A preamp combo, all running over $80K dollar wise (2 channel) SOUNDING AWEFUL!!! Actually, this is quite common. Then, in the same store, you could have a small Theil system that's so well balanced and cohesive, that it's just WORKING!
Still, with the right combo of high end gear, properly set up and dialed in, you can pull away from the lesser system, no problem.