Fuses that matter.

Nothing beats a "realistic" soundstage. However, if my soundstage became more realistic my agoraphobia (not to be confused with "angoraphobia", an irrational fear of certain sweaters) would set in, and nobody wants that. To test fuses, I think you need 2 absolutely identical systems, or at least 2 identical pieces of gear with and without the "special" fuses. Then have somebody switch them without you knowing and allow for break-in time, perhaps allowing time for a visit to your therapist to help you with the compulsive side of your hobby/fetish ...there ya go!

In MF Shunyata Triton review, Caelin Gabriel invented the DTCD Analyzer that can measure anything that conducts current. He found even fuses measure differently. So theoretically fuses should sound differently in a component but like everything else, it's a function of the component.

In the PS Audio PerfectWave DAC II upgrade, fuses are one of changes. If all fuses sound the same, why bother changing the fuses? I'll let y'all draw your own conclusions.

Knghifi, you are probably right, but who is going to have a stable of fuses lying around and the patience to try each of five fuses in each component to see. I suspect to that there is an interaction between what fuse is in one device and what is in another in your system. This is then further complicated by devices with multiple fuses within them.

Basically, I change one fuse in one component and wait some time for it to settle. Sometimes I have the patience to go back to the original fuse. I can say that I thought the Supreme in the dac had a bigger benefit than those in the amps, but hey that may be the cumulative effect of the fuses.

Wolf_garcia, as the old southern adage goes, "throw me into that briar patch."

I probably mentioned this before but if you have the original stock fuses in the component you can play the old reverse the fuse direction game to squeeze some more out of the system. All you need is a good set of ears. If the component has only one fuse reverse it's direction and see if the sound got better or worse. You can tell when the direction of the fuse is wrong when the sound is relatively harsh or strident and moore distorted. When the fuse direction is correct the sound will be more natural, with relatively less distortion and grain. If there are multiple fuses, reverse them one at a time, listening each time to see if the sound got better or worse. Sometimes it might be a close call, if it is leave the fuse as is and go to the next one. After all fuses have been auditioned for directionality repeat the procedure to verify. At the end of all this your sound should be considerably better than when you started.

"An ordinary man has no means of deliverance." - old audiophile axiom

05-06-12: Knghifi
In MF Shunyata Triton review, Caelin Gabriel invented the DTCD Analyzer that can measure anything that conducts current. He found even fuses measure differently. So theoretically fuses should sound differently in a component but like everything else, it's a function of the component.

I haven't reviewed those particular measurements, but as a philosophical observation I would comment that a measurable difference by no means necessarily indicates the likelihood of a sonic difference. It depends on both the amount of the difference, and the sensitivity of the design to that difference.

Every electrical part in every component has specified and/or measurable ranges of variation ("tolerances") for numerous electrical parameters, and measurable differences will exist even between two parts of the same type that were manufactured at the same time by the same manufacturer. That applies to transistors, tubes, integrated circuits, resistors, capacitors, diodes, inductors, transformers, fuses, etc. A good design will minimize or eliminate sensitivity to those differences, within the range over which they can be expected to occur.

Regards,
-- Al