Well, I was done with this thread but now that there is some more real data to apply, what the hey. Thanks Bryon (I think).
SO it makes sense to me that resistance and voltage across different fuses varies somewhat and is not exactly the same.
Also makes sense to expect fuses with more quality build, cleaner etc. to measure better in these regards. That probably applies to most any electrical part that affects the signal in gear. NOthing much new there. The thing with fuses is that they are relatively easy to change and experiment with if one is so inclined in most cases say compared to soldered parts like caps, resisters, transistors, etc.
That helps confirm some useful guidelines that make sense for deciding which fuses might perform better than others which is useful.
The article is vague though about what sonic differences were heard with different fuses and to what extent. ALso no info if these differences are unique to specific gear or general to all. SO there is a value determination to be made that individuals will make differently.
In the end it would seem to make sense to assure one uses a fuse with good relative build quality. Nothing mysterious there! Some might deem it worthy to invest time in comparing sound of different fuses in their system. Others may not. Nothing new there much either.
In general my opinion is that every part that affects the signal path that goes into making a piece of audio gear affects performance to some degree. The question is always how much and whether it matters to the user. THe answer lies largely with the needs and interests of the user more than anything else.
So what is it we are arguing about again?
SO it makes sense to me that resistance and voltage across different fuses varies somewhat and is not exactly the same.
Also makes sense to expect fuses with more quality build, cleaner etc. to measure better in these regards. That probably applies to most any electrical part that affects the signal in gear. NOthing much new there. The thing with fuses is that they are relatively easy to change and experiment with if one is so inclined in most cases say compared to soldered parts like caps, resisters, transistors, etc.
That helps confirm some useful guidelines that make sense for deciding which fuses might perform better than others which is useful.
The article is vague though about what sonic differences were heard with different fuses and to what extent. ALso no info if these differences are unique to specific gear or general to all. SO there is a value determination to be made that individuals will make differently.
In the end it would seem to make sense to assure one uses a fuse with good relative build quality. Nothing mysterious there! Some might deem it worthy to invest time in comparing sound of different fuses in their system. Others may not. Nothing new there much either.
In general my opinion is that every part that affects the signal path that goes into making a piece of audio gear affects performance to some degree. The question is always how much and whether it matters to the user. THe answer lies largely with the needs and interests of the user more than anything else.
So what is it we are arguing about again?