Why Is Krell the a bad work???

retro: how do you form your opinions of audio equipment? does your auditory memory of your college days provide you a reference catalog? how do you know that dealers where i live will loan out equipment only to those who've "built rapport"? or that such home auditions are limited to 2 days? (in fact, you are dead wrong on both these "audition" points.) oh, and what does uiuc stand for? BTW, retro, you're the one who started the name-calling here. the tone of my reposte was meant to deflect the absurd stridency of your second post of 01/11/01. read your words there over again and see if you can figure out why they were met with derision by all who responded, not just me. you're not gonna gain any points here suckin' up to trelja or dekay, or me for that matter. think before you write and reread what you've written before you push the "submit" button. i know, this is mere gratuitous advice but it's offered sincerely as a flame preventative. peace.

Retro: In regard to how long does it take to assess a piece of gear, I consider myself to be a "quick study" and I assume that many others are as well. I am also not an audiophile by any means. I spent 30 years listening to and playing live music and I have been at this hobby for 30 years as well (with a big vacation in the middle of it). If I am familiar with the associated equipment and have listened to "my" music in the room for a period of time, I can form a definite opinion at a dealer's showroom on a piece of gear (though it is not as strong as one that I would form at home). When auditioning gear at home, I usually know within the first few minutes if I like the piece or not and if I do like it, then 24 hours is plenty of time for me to make up my mind how it places among my other favorites both new and old. I know what to listen for and I know what I do and don't like. It's that simple. Synergy has a lot to do with it, but a bad piece is a bad piece, IMO. This may sound unbelievable, but I have a fairly accurate aural memory of every piece of gear and system that I have owned and lived with. These memories do include a few memorable auditioned pieces as well, like the B&O 5700 speakers for some odd reason. I also remember conversations as well as music going back many years and I can usually play them back as if they are on a tape deck in my head. This was a big asset (to me) when I was involved in business. On the other hand I have almost no visual memory whatsoever to the point where I do not have the slightest idea what clothing my wife is wearing in the next room and I can even forget what I am wearing if I do not take a peek. I have some trouble remembering written information as well. To each his own, don't expect others to necessarily share your traits.

dekay: excellent post! i've always believed i've had a good aural memory, too. i'm sure, tho, mine's not up to yours. my problem is: i can remember the sound of lots of equipment, the name and designation of which cannot be retrieved from my memory banks. as to the time it takes to audition equipment, permit me this observation: there's certain stuff that upon a short hearing will grab you by the scrotum and lead you to beleive life's not living if you can't own it; longer auditioning, tho, will reveal that the quality that first drew you in is, in fact, fatiguing. krell amps are perfect exemplars of this phenomenon. it is because of this that i distrust short-term auditions. my practice over the past few years has been to audition a piece in my system for at least two days. if i'm seriously interested in a possible purchase after the initial audition, i require at least an additional week's play in my system. recognize, tho, that we're talkin' here of $20k+ speakers and amp/pre/dacs in similar ranges. (without modesty, i should note, i've been at this hobby for 30+ years; if dealers don't meet my expectations, i simply go elsewhere.)

Because English syntax is unusually restrictive regarding definite articles and predicate nominatives, in case you hadn't noticed. Asking "Why is Krell the a bad work?" only shamelessly begs the question, which is only all too obvious.

Cornpone, I'm sorry the name fits, but it does. Apparently you have a good "rapport" with your local dealers if what you say is to be believed. Good for you. Now, UIUC stands for The University OF Illinois at Champaign/Urbana. It is a highly regarded University for Electrical Engineering. Nuff said. My secondary education at the store was much more interesting. When you are able to gleen the minds of such people as Brian Theil, Mark Levinson, Jason Bloom and th like, You have a tendency to retain the information for a long time. When Mr. Nakamichi personally comes to introduce the new 1000 series, you take notes. Yes, my college years have stuck with me. They were the foundation on which I built my system. They do give me the right to say that I can hear the nuances. The word synergy has been used alot in these posts. This is pretty accurate description for most systems. Synergy is a positive out come from forces working for and against each other in an other wise chaotic system. That out come can only be determined by you and your ears. When listening to a new piece of equipment, I will go buy a few completley new CD's. Theycan be by performers that i'm familiar with or a complete stranger. I then see if anything really reaches out to me, if it does I reinstall the old piece and see if it can be reproduced with the same pleasure. If so, the new piece isn't worth going any further with, if not, then I proceed with the new. This usually includes writing a check. BTW I feel no need to kiss up to anyone, they simply posted the kind of responce that is truly worthy of a responce. You, I am done with. I will not respond to you again. I have better things to do with my time and effort. Terrorist or not, I'm done. You bore me.